Showing 24 results

Fonds includes material relating to the life and works of Alice Munro (née Laidlaw). Included are personal, general and business-related correspondence; manuscripts of Munro's short stories, screenplays, and poetry; copies and drafts of articles in newspapers and magazines; audio-visual recordings of interviews with Munro and dramatizations of her works; promotional material such as posters; records related to theses and lectures based on her works. Includes writing notebooks and works by others about Munro and her oeuvre.

Fonds consists of business and personal correspondence, contracts and royalty statements; manuscripts, galleys and proofs of novels, short stories, articles, and stage, radio and television plays; manuscripts of English translations of two novels (L'élan d'Amérique and Poussière sur la ville); radio scripts for the series Connaissance d'Aujourd'hui; issues of Le Nouveau Journal; theses and other works written about A. Langevin and his work; and published work.

Fonds consists of correspondence; contracts; diaries; photographs; research material, outlines and preliminary work; manuscripts, ranging from various drafts to galley and production scripts, of short stories, articles, prose, film scripts, screenplays, and stage, television and radio plays; and published work.

Fonds consists of personal and business correspondence; and manuscripts of and material relating to G. Ryga's poetry, short stories, novels, musical works, essays, addresses, screenplays, and radio, television and stage plays. Two small appendices (MsC 153, 154) consisting of material relating to G. Ryga and acquired from other sources include correspondence and photocopies of an essay by and articles about G. Ryga. Accession 614/97.3 consists of a long-play recording, The Ecstasy of Rita Joe, words by George Ryga, music by Ann Mortifee. (Ann Mortifee, vocalist; Chief Dan George, Ann Mortifee, Peter Haworth, voices; Paul Horn, flute; various musicians.) (Vancouver: Kerygma Records, [1973?]).

Fonds consists of correspondence; manuscripts, ranging from fragments and rough drafts to printers' copies and page proofs, of novels, short stories, short story collections, stage plays, poetry and lyrics; screenplays by G. Vanderhaeghe and others based on G. Vanderhaeghe's works; articles, book reviews, essays, lectures and speeches; promotional material; articles, essays and thesis about G. Vanderhaeghe and his works; interviews with the author; miscellaneous material; works by other authors; and published work.

Fonds consists of correspondence; manuscripts, ranging from rough drafts and fragments to production scripts, of stage, radio and television plays, screenplays and operas (Filumena and Frobisher); English translations by J. Murrell of plays by Henrik Ibsen, Victorien Sardou and others; promotional, production and review material; works about J. Murrell; works by others; miscellaneous; published work; and moving image of Waiting for the parade.

Fonds consists of correspondence; research material and notes; preliminary work; manuscripts of novels, stage and radio plays, short stories and television play; reviews and promotional material; set designs and props for plays written or directed by K. Dyba; biographical material; published work; plays written by other authors; material relating to Canadian Actors' Equity Association, The Snail project and The vet project; proposals for various programs; photographs; sound recordings; videocassettes; and miscellaneous material. In addition to manuscripts, Accession 434/88.15 includes research material, such as photographs and sound recordings of Betty Mitchell interviews, used by K. Dyba in writing the biography Betty Mitchell (Calgary : Detselig Enterprises, 1986). Accessions 789/05.10 and 831/07.21 include materials relating to Wayson Choy including reviews, posters, itineraries, book catalogues, videotapes and photographs.

Fonds consists of correspondence with editors, publishers, educators, authors and others; royalty statements and financial records; diaries; notebooks; interviews; photographs; manuscripts, ranging from rough drafts to final proofs and production scripts, of stage plays, short stories and novels; articles about L. Rooke; reviews; published work; and sound recordings of radio broadcasts featuring L. Rooke or his work, chiefly produced by the Canadian Broadcasting Corporation.

Fonds consists of correspondence; manuscripts of short stories, speeches, articles, and radio, television and stage plays; rehearsal notes; promotional material; reviews; and published work. Manuscripts range from preliminary work and working scripts to production scripts and publishers' proofs.

Fonds consists of correspondence, photographs, stage design, newspaper clippings, brochures and programs for various drama productions.

The fonds consists of manuscript copies of Mary's plays (1961-1966), an interview on early theatre in Calgary (1973), photographs of casts and scenes from Calgary Arts and Letters Club productions (1951-1965), and programs of Calgary Arts and Letters Club plays (1960).

Fonds consists of business and personal correspondence, contracts and royalty statements; diaries; preliminary work and ideas; manuscripts, ranging from rough drafts to galleys, of radio and television plays, screenplays, radio and film scripts, novels, short stories, articles and speeches; newsclippings of reviews, articles and interviews; and miscellaneous material. Also includes manuscripts of short stories and scripts by other authors.

Fonds consists of the following series: correspondence; notebook; manuscript; columns; scrapbook; sound recording; works by other authors; works on Michael Cook; photograph and miscellaneous. Fonds also includes one small appendix, MsC 156, consisting of promotional, production and review material for the Globe Theatre's production of The head, guts and soundbone dance, November 15 - December 4, 1977, in Regina, Saskatchewan. A later accession, MsC 312, consists of a letter (May 20, 1986) from Michael Cook to Malcolm Page.

Fonds consists of personal and business correspondence; diaries, journals and writer's logs; research material; manuscripts and page and galley proofs of stage, radio and television plays, fiction and prose; playbills; reviews; photographs; and published work.

Fonds consists of correspondence; research material; notes; manuscripts of novels, short stories, children's literature, television plays and screenplays; speeches; lectures; works on R. Wiebe; and material relating to R. Wiebe's editing of short story anthologies. Includes material relating to R. Wiebe's teaching creative writing courses at the University of Alberta and to his involvement with the Writers' Union of Canada and Canada Council, as well as conferences, writers' festivals, committees, workshops, juries and readings. Accession 349/84.16, consisting of Glenbow Foundation manuscript Frank Collicutt and his Willow Springs Herefords, 1957 (photocopy), Accession 350/84.17 consisting of Glenbow Foundation manuscript Claude Gallinger and his Killearn Shorthorns, 1957 (photocopy), and Accession 386/86.08, consisting of Foothills, v. 1, no. 1, April 2, 1985 with article Wiebe: Riel is a legitimate, authentic, mythic hero by Kelly Pitman and 2 audiocassettes with a Riel workshop and a reading by R. Wiebe, filed with Accession 329/83.26 (box 44).

Fonds consists of correspondence; manuscripts of short stories, novels, stage plays, memoirs, filmscript, articles, essays and speeches; reviews; teaching material; material relating to conferences, writers' festivals and workshops, readings and consulting; photographs; sound recordings; moving images; works about W. Choy; awards including The Order of Canada; works by others; and published works.

Fonds includes material relating to the life and works of W. O. Mitchell as a writer, teacher, playwright and performer. Included are personal, general and business related correspondence; manuscripts of novels, short stories, stage plays, radio plays, television plays and film scripts; copies and drafts of articles in newspapers and magazines; audio-visual recordings of interviews with Mitchell and dramatizations of Mitchell’s works; promotional material such as posters; teaching records relating to his positions as writer-in-residence and lectures and presentations delivered to academic and primary schools; awards such as honorary degrees; personal records including scrapbooks; financial files including writing contracts and business records; photographs; and an electric typewriter used by Mitchell at his cabin on Mabel Lake, B.C.