Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, A View From Across The Water, into a television play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Black Is My Favorite Color, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for screen and radio. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for stage. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work for stage and screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Fergus, for into a radio play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, I Am Mary Dunne, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of letter (1960 November 8), Toronto (Ontario), from Jack McClelland, Little, Brown and Company (Canada) Limited, to Brian Moore, New York (New York).
• Typed letter(s) signed by the author discussing publicity for The Luck of Ginger Coffey including B. Moore's possible appearance on a television show.

• Consists of letter (1960 November 10), New York (New York), from B. Moore to Jack McClelland.
• Typed letter(s) signed by the author (carbon copy) declining to appear on a suggested television show, and reporting on the current status of The Luck of Ginger Coffey, The Feast of Lupercal and "Judith Hearne."

Consists of typescript (carbon copy), typescript and handwritten notes made after meeting with Jane Deknatel, Eileen Kahn, John Kemeny and Denis Heroux about changes to be made to long five hour version (MsC 49.21.04) for shorter HBO version. (HBO is Home Box Office, a U.S. pay television company.) Includes letter (1982 December ?), from B. Moore to John Kemeny summarizing comments made at the meeting. 2 p. Typed letter(s) lacking signature

Sub-subseries consists of materials related to the creation of dramatic adaptations of various works by Brian Moore. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Consists of typescript (mimeograph) film script by B. Moore based on the novel by Simone de Beauvoir and directed by Claude Chabrol. With B. Moore's handwritten annotation "This is the 5 hour version I wrote for French National Television 'Antenne II'".

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Blood of Others, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Closing Ritual, a stage play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Feast of Lupercal, for television. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's undated work, The Game, a stage play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Goat, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Great Victorian Collection, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Lonely Passion of Judith Hearne, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Lonely Passion of Judith Hearne, for the stage. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Luck of Ginger Coffey, for stage, television and movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Revolution Script, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Slave, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Torn Curtain, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.