Consists of A Love Song for alto/mezzo soprano with words by W. Hawley, original pencil sketch. Includes photocopy.
Scores
46 Archival description results for Scores
Consists of pencil score for piece for Alto and Organ. Solo Voice, with Solo Instrument, Keyboards. Isaiah Ch. 11 Verses 1, 2, 6, 7, 10 NRSV (3 min.).
Consists of Canon for Five Violins pencil score.
Consists of Continuing Presences: Autumn’s Being (words by Ann Fiske), original pencil sketch, for soprano and piano. Solo Voice, with Solo Instrument, Keyboards. (9 min.). 1. Autumn's Being; 2. Home; 3. Love for Today; 4. Mrs. Goodheart. "To Carol Lynn Reifel and John Paul Bracey."
Consists of printed score of Could I Have This Dance with words and music by Wayland Holyfield and Bob House, handwritten annotation “Written for the Stratford German Choir. Hans Scheib asked Gerhard [Wuensch] to arrange it … but he wasn’t able to do it … but he made suggestions." Includes Jean Anderson Wuensch’s pencil score and printed score for arrangement by Jean Anderson-Wuensch and Gerhard Wuensch.
Consists of ink score. Mixed Chamber Ensemble (1 to 9 Performers), Duos, Woodwinds, Plectral Strings. I. Fantasia; II. Fugue; III. Folksong; IV. Finale. (9 min.).
Consists of pencil score (incomplete?); possibly titled: Dresden 2006 Sound? City? Silence?.
Consists of original pencil sketches of Five Canadian Folksongs [for women’s choir and piano]: The Morning Dew; En Roulant Ma Boule; White Man, Let Me Go; A La Claire Fontaine; A Great Big Seahove in Long Beach. Choral (9 with Voices), with Solo Instrument, Keyboards. (15 min.) "To Les Choristes - conducted by Victoria Meredith.
Consists of pencil score includes Prelude; Morning Has Broken. Woodwinds, Solo/Ensemble, Flute Quartets. (8 min.).
Fonds consists of personal and business correspondence; manuscripts of novels, poems, poetry collections, short stories, screenplays, opera libretto, music scores, translations, speeches, essays and proposal for an unwritten biography; material relating to conferences, writers festivals and workshops; contracts; works about G. Gunn and published works.
An accrual received in 2016 (Acc 2016.016) with a date range of 1983-2014, includes the complete drafts of novel Solitaria and some drafts of other works including Tracing Iris, several short stories, Tracing Iris film script, reviews, correspondence with writers and editors, including Carolyn Swayze, correspondence with translators for Tracing Iris and Solitaria into other languages including Italian and Dutch, interviews given in magazines, records of workshops and conferences attended and papers given, records on awards adjudications, reading lists and reference materials.
The accrual 2024.35 consists of manuscripts for Escalation/The Alternate (an unpublished novel), Alla Ricerca Di Iris, Permanent Tourists, Accidents, Yours, Befana, The Ship for Kobe and The Cipher. Also includes email correspondence, published works, interviews and miscellaneous items including reading lists, reference materials and notes about novels.
Gunn, GenniFonds consists of manuscript scores, correspondence, published scores and sound recordings of musical compositions and performances by Gregory Levin.
Levin, GregoryConsists of original pencil sketch. Part of Continuing Presences: Autumn’s Being (words by Ann Fiske).
Consists of pencil score one of two hymns based on words by David McKane.
Consists of original pencil sketch. Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards. Music: Jean Anderson. Text: New English Bible. Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards. Text: John 15, Verses 5-8, New English Bible.
Consists of drafts of pencil score words by Marjorie Pickthall.
Consists of Intrada for double woodwinds, 2 horns and timpani by Jean Anderson. Woodwinds, Solo/Ensemble, Octets and Large Wind Ensembles. (5-6 min.) "The community orchestra, London, Ontario. Conductor. Len Ingrao.
Consists of original pencil sketch. Part of Continuing Presences: Autumn’s Being (words by Ann Fiske).
Consists of pencil score, includes score with handwritten revisions and variant title: A Love Song. Solo Voice, with Solo Instrument, Keyboards, (5-6 min.). "To Mary Ellen Gustafson." 1. The Constant Lover (Sir John Suckling); 2. Never Seek to Tell Thy Love (William Blake); 3. Why So Pale and Wan Fond Lover (Sir John Suckling).
Consists of original pencil sketches of Love’s Whimsy [song cycle for soprano and piano]: The Constant Lover [words by] Sir John Suckling; Never Seek to Tell Thy Love. [words by] William Blake; Why So Pale and Wan Fond Lover? [words by] Sir John Suckling.
Consists of pencil score; includes lyrics (typescript). Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards; 6 min.
Series consists of manuscripts of novels, poems, short stories, operas and screenplays written by G. Gunn. Also includes correspondence, newspaper clippings, scripts and notes.
Series consists of draft versions of scores composed by G. Levin.
Subseries consists of notes, scripts, correspondence and drafts of miscellaneous poems, short stories, novels and other writings by G. Gunn.
Consists of original pencil sketch. Part of Continuing Presences: Autumn’s Being (words by Ann Fiske).
Consists of Ode to The New Millennium pencil score.