Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, A View From Across The Water, into a television play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Subseries consists of drafts of the screenplay, background notes, reviews, and reviews of the production.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Black Is My Favorite Color, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Series consists of correspondence with family, friends, writers, admirers, literary agents, editors, publishers, producers, directors, playwrights, educators, lawyers, clergymen, critics, and other officials. two subseries- correspondence by title and general correspondence. correspondence by title is arranged alphabetically by form (fiction followed by non-fiction) and chronologically within the form. correspondence for each title is divided into business-related correspondence and reader-related correspondence. general correspondence several miscellaneous files including an agents' file; an awards' file; a file relating to various university affiliations; contracts arranged alphabetically by form and title; royalty statements arranged alphabetically by title, then chronologically.
• MsC 49 Consists of correspondence with family, friends, writers, admirers, literary agents, editors, publishers, producers, directors, playwrights, educators, lawyers, clergymen, critics, and other officials. two subseries- correspondence by title and general correspondence. correspondence by title is arranged alphabetically by form (fiction followed by non-fiction) and chronologically within the form. correspondence for each title is arranged alphabetically by personal and corporate name and chronologically within each file. correspondence for short stories, book reviews and publicity quotes is not divided by title. general correspondence is arranged alphabetically by personal and corporate name and chronologically within each file.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for screen and radio. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for stage. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• File consists of complete draft rewrite of CBC version and typescript. Item 2 has handwritten annotation on last page "Rewritten CBC version Sept. 15th 1980. This is the version to be printed in Fiddlehead and in private edition by Geoff Hancock. To be rewritten. So this now exists in: version for CBC, this version, a version to be rewritten."
• Handwritten; typescript with handwritten revisions.

Subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work for stage and screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Fergus, for into a radio play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Series consists of materials related to various adaptations of John Metcalf's works for stage and screen.
• Includes: scripts, screenplays and television play manuscripts and outlines; correspondence; etc.

• Consists of correspondence (1975 April 14 - 1984 February 26), between S. Glazier and B. Moore.
• Correspondence about a possible stage play version of The Emperor of Ice Cream, financing for a movie version of The Great Victorian Collection, interest in making Catholics a Broadway play, and extending Avco Embassy Pictures' option rights to I Am Mary Dunne.

Consists of third draft of a screenplay by James DeFelice, Graeme Gibson and Margret Kopala, adapted from the novel "As for Me and My House" by Sinclair Ross. Includes folder relating to Maggies Movies Production marketing and fund raising for the film.

Fonds consists of radio scripts of Mordecai Richler’s Barney’s Version, television and motion picture scripts for Richler’s St. Urbain’s Horseman, Richler’s books (Barney’s Version, Solomon Gursky was Here, and St. Urbain’s Horseman), some with extensive annotations, and audio cassettes for the radio adaption of Solomon Gursky was Here.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, I Am Mary Dunne, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of letter (1968 January 19), Malibu (California), from B. Moore to Blossom Kahn.
• Typed letter(s) lacking signature (carbon copy) discussing payment for the "Judith Hearne" screenplay and the movie possibilities in I Am Mary Dunne.

Sub-Subseries consists of records related to a film program written by Christie Harris, Mouse Woman and Porcupine Hunter.

Sub-subseries consists of materials related to the creation of dramatic adaptations of various works by Brian Moore. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Blood of Others, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Closing Ritual, a stage play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Feast of Lupercal, for television. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's undated work, The Game, a stage play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, The Goat, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.