Consists of sketches for work, "A Country Round. Tone Poem. Flute, clarinet, bassoon, horn and string orchestra," commissioned through the Ontario Arts Council. Dedication: To Central High School Senior String Ensemble and Winds, London Ontario, conducted by Bruce Richardson. (6 min.).

Consists of correspondence with publisher, Jill Jamieson, discussing the printing and publication of The Ledger. Correspondence between R. Kroetsch and members of Applegarth Follies, chiefly Jill Jamieson.

Consists of correspondence with publisher, Jill Jamieson.

Consists of Celebration I For Band (“To the Concert Band, University of Western Ontario, conducted by Donald McKellar). Orchestra/Large Ensemble, Concert Band/Large Wind Ensembles Publisher: Canadian Music Centre. 1 bound copy, 1 coil bound copy (7-8 min.).

• Letters from C. Davies, London, Ontario, to Christie Harris.
• File consists of letters regarding interviewing Christie Harris, November 21, 1982, for a joint project with Catherine L. Ross involving interviewing authors of Canadian children's literature. The interview, Bridge between two realities ; an interview with Christie Harris, was published in Canadian Children's Literature, No. 51, 1988, p. 6-24.
• Typescript, signed; holograph, signed.

Consists of typescript (photocopy), text of talk given at U.W.O. Faculty of Music Retreat, Bayfield by Jean Anderson titled Diversity in Teaching Methods.

• Letters from representatives of Fanshawe College Arts & Letters Society, London, Ontario, to Christie Harris, Vancouver, B.C.
• File consists of letters regarding Christie Harris speaking in the 1980/81 Fanshawe College Arts & Letters Society lecture series, October 23, 1980, and obtaining pictures of the event.
• Typescript, signed; holograph, signed.

Consists of reference files of galleries in London, Ontario

• Letter from D. Gutteridge, London, Ontario, to Christie Harris.
• File consists of letter expressing admiration and appreciation to Christie Harris and forwarding his book St. Vitus Dance.
• Holograph, signed.

• Consists of choral anthem for four-part chorus of mixed voices with piano accompaniment; originally written for St. Paul’s Cathedral Choir, London, Ontario.
• Includes 20 letters (1981 August 25) from Jean Wuensch to various conductors of choirs asking them to sing the anthem on behalf of Lawson-Gould Publishers.
• 6 copies of published version (Lawson- Gould Publishing Co.).

Consists of a sketches for a commission from the 21 Alliance for Canadian New Music Projects through the Ontario Arts Council. Woodwinds, with Keyboard, Saxophone, (5 min.).

Consists of photocopies of newspaper clippings from the London Free Press about Jean Anderson and concerts featuring her compositions.

• Correspondence between representatives of London Public Libraries, London, Ont., and Constance Beresford-Howe, Toronto, Ont.
• File consists of letters regarding a reading by C. Beresford-Howe at the London Central Library, April 12, 1986, for National Book Festival week.
• Typescript, signed; typescript (carbon copy).

Consists of typescript (photocopy), text of lecture given at a monthly Saturday afternoon theory/composition lecture series at the Faculty of Music, U.W.O., titled Sir Michael Tippett (1905-) by Jean Anderson.

Consists of Sonata. Viola and piano. 1. Moderato; 2. Molto Allegro; 3. Adagio, allegro frenetico, adagio, presto. London Ontario jul1975- dedication: To Unnur Sveinbjarnardottir. 1 bound copy, includes 1 loose, unidentified page 8, (22 min.).

Consists of Agreement between Lawson-Gould Music Publishers Inc. and Jean Anderson for the publication of I Thank You God For Most This Amazing.

Consists of typescripts and correspondence relating to publication of poem.

Consists of copy of music score, Two Preludes for Thanksgiving for 2 Trumpets in C and Organ. By Jean Anderson, (5-6 min.). "To Larry Larson, Mary Jay and Paul Merritt, First St. Andrew's United Church. London, Ontario."

Consists of programmes (mainly photocopies) for 5 concerts at U.W.O. including “Friday-at-Noon” and “Give at Three” series featuring compositions by Jean Anderson.