Subseries consists of records related to publishing contracts and agreements between Moore and various agents and companies. Includes correspondence, financial statements, proposals, translations, etc.

Consists of correspondence and textual materials regarding (copyright) permissions.

Series consists of materials related to Moore's publishing agreements and contracts, and financial records related to his various works and projects. Includes royalty statements, correspondence, legal documents, etc.

• Subseries consists of correspondence (1971 August 3 - 1974 July 15), about the publication, promotion, serialization, translations, and possible motion picture of The Revolution Script.
• Correspondence between B. Moore and agents, publishers, editors, lawyers and producers.

• Subseries consists of correspondence (1966 February 25 - 1967 April 21), about the writing of the screenplay based on the novel The Slave by Isaac Bashevis Singer.
• Correspondence between Brian Moore and agents and producers.

• Series consists of correspondence with family, friends, writers, admirers, literary agents, editors, publishers, producers, directors, playwrights, educators, lawyers, clergymen, critics, and other officials. two subseries- correspondence by title and general correspondence. correspondence by title is arranged alphabetically by form (fiction followed by non-fiction) and chronologically within the form. correspondence for each title is divided into business-related correspondence and reader-related correspondence. general correspondence several miscellaneous files including an agents' file; an awards' file; a file relating to various university affiliations; contracts arranged alphabetically by form and title; royalty statements arranged alphabetically by title, then chronologically.
• MsC 49 Consists of correspondence with family, friends, writers, admirers, literary agents, editors, publishers, producers, directors, playwrights, educators, lawyers, clergymen, critics, and other officials. two subseries- correspondence by title and general correspondence. correspondence by title is arranged alphabetically by form (fiction followed by non-fiction) and chronologically within the form. correspondence for each title is arranged alphabetically by personal and corporate name and chronologically within each file. correspondence for short stories, book reviews and publicity quotes is not divided by title. general correspondence is arranged alphabetically by personal and corporate name and chronologically within each file.

• Subseries consists of correspondence (1958 September 22 - 1975 December 1), about business matters, various B. Moore works, and motion picture deals.
• Correspondence between B. Moore and his agents.

• Subseries consists of correspondence (1962 March 6 - 1973 November 14), about the publications, promotion, sales, translations and dramatic rights of An Answer From Limbo.
• Correspondence between B. Moore and agents, editors and publishers.

• Subseries consists of correspondence (1958 July 7 - 1961 April 5) about various fellowships and awards received by B. Moore.
• Correspondence between B. Moore and various officials, friends and writers.

• Subseries consists of correspondence (1972 July 4 - 1975 April 4), about the publication, promotion, sales, W.H. Smith & Son Literary Award, and film of Catholics.
• Correspondence between B. Moore and editors, publishers, agents, producers, directors.

• Subseries consists of correspondence (1971 September 9 - 1972 June 16), about the publication, promotion and possible motion picture of Catholics.
• Correspondence between B. Moore and agents, publishers, editors and producers.

• Subseries consists of correspondence (1969 August 29 - 1971 June 25), about the publication, promotion, sales, reviews and translations of Fergus.
• Correspondence between B. Moore and agents, editors, publishers, producers and lawyers.

• Subseries consists of correspondence (1967 April 28 - 1969 August 31), about the publication, promotion, sales, translations and movie rights of I Am Mary Dunne.
• Correspondence between B. Moore and agents, editors, publishers, producers, and lawyers.

Subseries consists of correspondence (1956 January 3 - 1975 February 11), about the publication, promotion and sales of "Judith Hearne", movie and stage rights and awards won by B. Moore for the novel. Correspondence between B. Moore and agents, editors, publishers, producers, directors and playwrights.

Subseries consists of correspondence (1954 January 21 - 1955 December 28), about the publication, promotion and sales of "Judith Hearne." Correspondence between B. Moore and agents, editors and publishers.

• Subseries consists of correspondence (1968 January 7 - 1968 February 18) about an idea for a film titled O Canada which was never developed.
• Correspondence between B. Moore and William Weintraub of the National Film Board.

• Subseries consists of correspondence (1965 February 10 - 1968 January 10), about the publication, promotion, sales, translations and film rights of The Emperor of Ice Cream.
• Correspondence between B. Moore and agents, editors, critics, publishers, producers, and lawyers.

• Subseries consists of correspondence (1956 August 24 - 1962 May 3), about the publication, promotion, sales and dramatic rights of The Feast of Lupercal.
• Correspondence between B. Moore and agents, editors, publishers, writers, producers and lawyers.

• Subseries consists of correspondence (1973 November 15 - 1974 December 27), about the revisions, publication and promotion of The Great Victorian Collection.
• Correspondence between B. Moore and editors, agents and publishers.

• Subseries consists of correspondence (1975 January 13 - 1976 April 21), about the publication, promotion, reviews, sales, paperback and film rights of The Great Victorian Collection.
• Correspondence between B. Moore and editors, agents, publishers and producers.

• Subseries consists of correspondence (1959 August 7 - 1968 February 13), about the publication, promotion and sales of The Luck of Ginger Coffey.
• Correspondence between B. Moore and agents, editors, and publishers.

• Subseries consists of correspondence (1971 January 12 - 1971 July 31), about the genesis, legal ramifications and publication of The Revolution Script.
• Correspondence between B. Moore and agents, publishers and editors.

• Subseries consists of correspondence (1965 July 22 - 1966 July 26), about the disputes regarding screenplay credits and separation of rights in material relating to Torn Curtain.
• Correspondence between B. Moore and agents, directors, producers, lawyers, and Writers Guild officials.

• Subseries consists of correspondence (1962 August 9 - 1973 December 12), about the publication of various non-fiction articles.
• Correspondence between B. Moore and agents and editors.

• Subseries consists of correspondence (1955 June 3 - 1967 November 8), about the publication of various short stories.
• Correspondence between B. Moore and editors and agents.