Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, A View From Across The Water, into a television play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of letter (1956 May 3), Westmount (Quebec), from B. Moore to Seymour Lawrence.
• Typed letter(s) signed by the author (carbon copy) discussing the advance copies of The Lonely Passion of "Judith Hearne", B. Moore's trip to Europe and the television situation relating to "Judith Hearne."

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Black Is My Favorite Color, for the movie screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of correspondence (1979 July 13 - 1980 May 12) chiefly between David Wallace, BBC, and B. Moore regarding the television script A view from across the water.
• Correspondence about ideas, possible content, expenses and financial details, reviews and tapes relating to the television script of B. Moore's Ireland for the BBC series Writers and Places. Includes contract.

• Consists of letter (1961 March 7), Toronto (Ontario), from Doris Gauntlett, Editor, Special Programs TV, CBC, to Brian Moore.
• Typed letter(s) signed by the author congratulating B. Moore on winning the Governor General's Literary Award for The Luck of Ginger Coffey, and discussing the television version of the novel.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for screen and radio. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Catholics, for stage. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of memorandum (1973 September 12), from Lewis Freedman, CBS, to Richard Steenberg.
• Typed memo(s) signed by the author (photocopy) giving the voice over for Catholics.

• Consists of letter (1974 January 14), New York (New York), from Kathie Juan, CBS Television Network, to Brian Moore, Malibu (California).
• Typed letter(s) signed by the author forwarding reviews of Catholics.

• Consists of correspondence between representatives of Clarke, Irwin and Company, Toronto, Ontario, and John Metcalf.
• Letters relating to publication of short stories by Clarke, Irwin in Anthology New Canadian writing, 1969 and short story collection The Lady Who Sold Furniture; discussing sales, lack of promotion by the publisher and possibility of paperback reprints when books are out-of-print; expressing concern that John Metcalf was not notified when short stories for which Clarke, Irwin held copyright were published in various Anthologies; and discussing publication of General Ludd and Selected Stories by other publishers and television adaptation of The Lady Who Sold Furniture.
• Letters enclose contract with Canadian Broadcasting Corporation for radio broadcast of The Lady Who Sold Furniture on Front Row Centre; and copies of letters relating to publication of German translation of The Estuary (Die Meeresbucht) in Anthology Moderne Erzähler der Welt.
• Handwritten, signed (photocopy); typescript (carbon copy); typescript, signed; typescript, some signed (photocopy).
• Includes references to the following: The Lady Who Sold Furniture : Short Stories; The Lady Who Sold Furniture : novella; Early Morning Rabbits; Keys and Watercress; Our Mr. Benson; Walking Round the City; Robert, Standing; Dandelions; Pretty Boy; Going Down Slow; General Ludd; Selected Stories; The Children Green and Golden; A Thing They Wear; The Estuary; The Tide Line; Die Meeresbucht.

• Consists of letter (1973 November 2), New York (New York), from Perry Knowlton, President, Collins-Knowlton-Wing, Inc., to Brian Moore, Malibu (California).
• Typed letter(s) signed by the author discussing publicity to promote Catholics in conjunction with the television presentation.

Subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work for stage and screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, Fergus, for into a radio play. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Series consists of materials related to various adaptations of John Metcalf's works for stage and screen.
• Includes: scripts, screenplays and television play manuscripts and outlines; correspondence; etc.

• Consists of letter (1974 December 15), Dublin (Ireland), from M.P. Gallagher to Brian Moore, Malibu (California).
• Typed letter(s) signed by the author discussing the television version of Catholics, and mentioning An Answer From Limbo and The Emperor of Ice Cream.

• Consists of letter (1972 November 18), from B. Moore to Aaron Asher.
• Typed letter(s) lacking signature (carbon copy) discussing reaction to Catholics and the situation regarding the television version.

Sub-subseries consists of materials related to the creation of dramatic adaptations of Brian Moore's work, I Am Mary Dunne, for screen. Includes information about collaborations and productions, script drafts, copies, notes, outlines, gallies, correspondence, promotional materials, reviews, etc.

• Consists of letter (1972 October 18), from B. Moore to Tom Maschler.
• Typed letter(s) signed by the author discussing promotional ideas for Catholics and the possibility of a CBS television version.

• Consists of letter (1973 December 7), Malibu (California), from B. Moore to Tom Maschler.
• Typed letter(s) lacking signature (carbon copy) indicating that The Great Victorian Collection needs revising, and mentioning the success of the television version of Catholics.

• Consists of letters (1979 September 17 - 1980 March 18), from representatives of Jonathan Cape Limited to B. Moore regarding the television script A View From Across the Water.
• Letters mainly about the success of the television programme written and narrated by B. Moore for the BBC series Writers and Places.

• Consists of correspondence (1980 February 17 - 1980 February 26), between M. Kiel and B. Moore.
• Correspondence about the adaptation of Catholics to television. Includes two slightly different replies by B. Moore.

• Consists of correspondence (1982 July 7 - 1983 July 1), between representatives of Lancastria Television Ltd. and B. Moore.
• Correspondence about the possibility of adapting several of B. Moore's novels to television.

• Consists of letter (1971 October 25), Montreal (Quebec), from L. LaPierre to Brian Moore.
• Typed letter(s) signed by the author expressing interest in acquiring television rights to The Revolution Script.

• Consists of letter (1960 November 8), Toronto (Ontario), from Jack McClelland, Little, Brown and Company (Canada) Limited, to Brian Moore, New York (New York).
• Typed letter(s) signed by the author discussing publicity for The Luck of Ginger Coffey including B. Moore's possible appearance on a television show.

• Consists of letter (1960 November 10), New York (New York), from B. Moore to Jack McClelland.
• Typed letter(s) signed by the author (carbon copy) declining to appear on a suggested television show, and reporting on the current status of The Luck of Ginger Coffey, The Feast of Lupercal and "Judith Hearne."