Fonds consists of correspondence; research material; notes; manuscripts of novels, short stories, children's literature, television plays and screenplays; speeches; lectures; works on R. Wiebe; and material relating to R. Wiebe's editing of short story anthologies. Includes material relating to R. Wiebe's teaching creative writing courses at the University of Alberta and to his involvement with the Writers' Union of Canada and Canada Council, as well as conferences, writers' festivals, committees, workshops, juries and readings. Accession 349/84.16, consisting of Glenbow Foundation manuscript Frank Collicutt and his Willow Springs Herefords, 1957 (photocopy), Accession 350/84.17 consisting of Glenbow Foundation manuscript Claude Gallinger and his Killearn Shorthorns, 1957 (photocopy), and Accession 386/86.08, consisting of Foothills, v. 1, no. 1, April 2, 1985 with article Wiebe: Riel is a legitimate, authentic, mythic hero by Kelly Pitman and 2 audiocassettes with a Riel workshop and a reading by R. Wiebe, filed with Accession 329/83.26 (box 44).

Fonds consists of correspondence; notebooks, manuscripts of poems, poetry collections, novels, essay collections, articles, book reviews, essays, conference papers, interviews and prose from rob mclennan's blog; editing and publishing files; material relating to reading series; articles, interviews, reviews and other material about r. mclennan; works by others; and miscellaneous materials of interest collected by r. mclennan.

Fonds consists of manuscript and published edition of poetry chapbook Centaurs of the wind. - Toronto : Ryerson Press, 1956; reviews of and other material relating to Centaurs of the wind; manuscripts of thirty-five poems; biographical sketches of the poet; newsclippings of poetry by and articles about M. K. Henry; photographs of the author and others; and sketches and watercolours by M. K. Henry. Includes explanatory notes by M. K. Henry's daughter, Joyce Goodwin.

Fonds consists of correspondence; research material; manuscripts, ranging from rough to final drafts, of poems, poetry collections, short stories and novels; scrapbook; promotional material for poetry readings; and published works.
Likely the last accrual (Acc. 2016.024) of 4 boxes of material, with a date range of 1973-2008, was received in 2016. It includes manuscripts, correspondence and research for last novel Exclusion Principle (box 1-2), correspondence relating to novels, Hating Gladys, After Image, Double Negative, and Freeze Frame as well as a poetry collection Collected Poems. There are also notes for an early film script and early radio plays. Also included are some contracts, reviews of her work in newspapers and other publications, interviews and readings she gave for the media including CBC and the National Film Board which are recorded on audio cassette tapes, film (NFB), and VHS. Ms. Gom maintained a separate general correspondence series which she divided in literary and personal correspondence.

Fonds consists of correspondence; notebooks; manuscripts of poems and prose; published works including monographs and individual poems in journals and anthologies; works about J.M. Moir; material relating to conferences and workshops; scrapbook; miscellaneous; and works by other authors.

Fonds consists of poems, some undated. Typescript manuscripts initialled by the author. Also includes poem titled Contempt on verso of front cover of The moment snared / by Helen Ball. -Toronto : s.n., 1952. Book inscribed to Frieda Hild.

Fonds consists of newsclippings and four loose leaf binders containing poetry manuscripts and clippings of published poems.

Fonds consists of correspondence; manuscripts of novels, poems, poetry collections, short stories, screenplays, opera libretto, music scores, translations, speeches, essays and proposal for an unwritten biography; material relating to conferences, writers festivals and workshops; works about G. Gunn and published works.
An accrual received in 2016 (Acc 2016.016) with a date range of 1983-2014, includes the complete drafts of novel Solitaria (boxes 1-5), and some drafts of other works including Tracing Iris, several short stories, Tracing Iris film script, reviews, correspondence with writers and editors, including Carolyn Swayze, correspondence with translators for Tracing Iris and Solitaria into other languages including Italian and Dutch, interviews given in magazines, records of workshops and conferences attended and papers given, records on awards adjudications, reading lists and reference materials.