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Carbon copy of typed letter from Persephone Theatre to Lucy Kroll Agency explaining delinquent royalty payments for production of Canadian gothic and American modern, and enclosing cheque (March 31, 1976).

Signed typed letter concerning scarcity of scripts for Canadian gothic and American modern (September 1, 1976).

Photocopy of undated signed typed letter from Belfry Cultural Centre to Lucy Kroll Agency enclosing cheque and contract between Belfry Cultural Centre and Lucy Kroll Agency listing conditions for production of Canadian gothic and American modern (September 15, 1976). Signed by Don Shipley and James Howe.

• Consists of:
• 01.09.61 Carbon copy of signed typed letter from Lucy Kroll Agency to Phoenix Theatre requesting seats be reserved for New York production of Canadian gothic and American modern (September 29, 1976).
• 01.09.62 Carbon copy of typed letter from Lucy Kroll Agency to Phoenix Theatre listing changes to be made to contract (MsC 23 01.09.60) for production of Canadian gothic and American modern (September 29, 1976). Includes Howe's typed postscript to Glass.

• Consist of:
• 01.10.08 Carbon copy of typed letter from Lucy Kroll Agency to Lunchbox Theatre advising that royalties must be paid if Canadian gothic and American modern are to be produced (January 21, 1977).
• 01.10.09 Carbon copy of typed letter from Lucy Kroll Agency to Way Station 99, Berkeley Stage Company, authorizing performance of an excerpt from American modern (January 26, 1977).

• Consists of:
• 01.10.11 Carbon copy of typed letter from Lucy Kroll Agency to Magnus Theatre Company North-West Inc. enclosing Glass's biography (February 9, 1977). Includes James Howe's typed postscript to Glass. Encloses carbon copy of signed typed contract between Lunchbox Theatre and Lucy Kroll Agency listing conditions for production of Canadian gothic (February 7, 1977). Signed by Bartley Bard, Lunchbox Theatre, and James Howe.
• 01.10.12 Carbon copy of typed letter from Lucy Kroll Agency to Dramatists Play Service Inc. requesting notification when Glass plays are leased by Dramatists Play Service Inc. and also mentions Canadian gothic, American modern and radio and television adaptations of Artichoke (February 9, 1977).

Signed typed letter outlining the agency's promotion of Artichoke and mentioning Santacqua (June 10, 1971).

Signed typed letter, with holograph postscript, reporting responses to promotion of Artichoke and relating Martin Elliot's interest in a New York production (June 24, 1971). Encloses photocopy of signed typed letter from Shubert Theatre to Lucy Kroll Agency rejecting Artichoke for New York production (June 10, 1971).

• Consists of:
• 02.05.01 Carbon copy of signed typed letter discussing possible San Francisco workshop production of Artichoke, co-writing a film, and mentioning Canadian gothic, American modern and royalties from Reflections on a mountain summer (January 14, 1975).
• 02.05.02 Signed typed letter discussing Elliot Martin's proposal for Artichoke, the possibility of a workshop production, and giving advice about working with John Korty, also mentioning American modern and Canadian gothic (January 17, 1975).
• 02.05.03 Carbon copy of signed typed letter discussing the various possibilities for a production of Artichoke January 21, 1975).

Signed typed letter relating that Roger Stevens of the Kennedy Center is interested in Artichoke (March 21, 1975).