Affichage de 22 résultats

Description archivistique
22 résultats avec objets numériques Afficher les résultats avec des objets numériques
John Reid fonds
CA ACU SPC F0127 · fonds · 1981-2021

Fonds consists of materials relating to courses John Reid instructed and his role in founding and directing the Jazz Is Society of Alberta, radio scripts for CJAY 92FM jazz program Jazz Space (April 3, 1981 - March 8, 1987) and Jazz Spectrum (March 15, 1987 - September 1, 1991), and ten notebooks with notes on jazz recording albums considered for review in J. Reid's column in Calgary Sun newspaper.

Sans titre
Ben Steinberg fonds.
CA ACU SPC F0185 · fonds · 1954-2018

Fonds consists of manuscript scores of compositions, adaptations and arrangements by B. Steinberg, correspondence, programs, posters, newspaper clippings, contracts, radio scripts, reviews, published works, material relating to B. Steinberg's activities as composer/scholar-in-residence, lecturer, conductor, etc., and sound recordings.

Sans titre
Bruce Mather fonds.
CA ACU SPC F0090 · fonds · 1949-2017

Fonds consists of music scores and sketches; correspondence; concert programs, brochures and posters; reviews and articles about Mather; and other material.

Sans titre
Wolfgang Bottenberg fonds.
CA ACU SPC F0104 · fonds · 1959 - 2016

Fonds consists of correspondence; music manuscripts, ranging from pencil sketches to full master (publisher-ready) scores, of choral, vocal, chamber, instrumental, incidental, operatic and ballet music; manuscripts of articles and booklets about music; published work; programs relating to W. Bottenberg's musical career; greeting cards featuring music, designed by W. Bottenberg; and teaching related material.

Sans titre
Quenten Doolittle fonds.
CA ACU SPC F0114 · fonds · [194-]-2015

Fonds consists of correspondence; research material; manuscripts of libretti, speeches, articles and notes to accompany music; manuscript scores, ranging from sketches to full scores, of instrumental, operatic and vocal works, as well as incidental music for the theatre; recordings of the complete works of Q. Doolittle on 18 compact disks; promotional and production material; concert and festival programs; workshop and concert series brochures; photographs; newsclippings; and correpondence, promotional and other material relating to various musical and educational organizations with which Q. Doolittle was affiliated. Fonds also includes one small appendix, MsC 281, consisting of scores for Four songs for soprano and viola including vocal score, viola score and transfigurations for viola and piano.

Sans titre
Alfred Fisher fonds.
CA ACU SPC F0117 · fonds · 1954-2007

Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

Sans titre
Howard Cable fonds.
CA ACU SPC F0058 · fonds · 1937-2006

Fonds consists of variety of materials spanning majority of Howard Cable's professional life including: correspondence; financial materials such as budgets, payroll sheets, and account statements; royalty statements and contracts (some with riders); manuscript sketches and scores as well as published scores of works composed, co-authored, or arranged by Howard Cable including those based on Canadian folk music and those used in large-scale productions such as Canadian National Exhibition Grandstand shows and General Motors automobile shows; scripts and playlists for Canadian Broadcasting Corporation radio and television programmes as well as theatrical productions; programmes, promotional material and newsclippings related to productions or performances in which Howard Cable participated; administrative materials (e.g., meeting minutes, proposals, etc.) concerning professional associations or committees with which Howard Cable was involved; academic programmes and other materials related to courses or clinics taught by Howard Cable; some graphical materials such as technical drawings concerning stage schematics for Sea to Sea, Expo 67 and Canada Day shows in particular; photographs primarily relating to major productions with which Howard Cable was involved such as CNE Grandstand show Sea to Sea; and sound recordings of works that Howard Cable either composed or produced. MsC 300 consists of five orchestral parts/arrangements of popular songs by Howard Cable.

Sans titre
Srul Irving Glick fonds.
CA ACU SPC F0183 · fonds · 1957-2002

Fonds consists of correspondence, contracts, newsclippings and other miscellaneous material, chiefly relating to Canadian Broadcasting Corporation music programs produced by S.I. Glick; manuscripts of CBC radio scripts of music programs produced by S.I. Glick; manuscript sketches and scores of instrumental, orchestral and vocal works; sound recordings of a variety of music including compositions by S.I. Glick; conference papers; concert programs; and awards. Fonds also includes two appendices. MsC 313 consists of 15 audiocassettes which are amateur recordings of S.I. Glick rehearsing and teaching (1994-2001) the Kol Shira Choir of Beth Tikvah Synagogue. MsC 316 consists of an audiocassette recording of a tribute to S.I. Glick broadcast on CBC Radio, April 22, 2002.

Sans titre
Robert Gross fonds.
CA ACU SPC F0046 · fonds · ca. 1934 - 1977

Fonds consists of correspondence, chiefly with other musicians and composers; manuscript of Words on music; manuscript scores of compositions for viola, organ, chorus, and violin and organ, as well as an octet for woodwinds, strings and piano; and manuscript scores by other composers, including Phantasy for violin with piano accompaniment (Gestetner(?) reproduction of original manuscript) by Arnold Schoenberg and Sonata for solo violin (original manuscript) by Roger Sessions.

Sans titre
Manus Sasonkin fonds.
CA ACU SPC F0122 · fonds · 1940-1990

Fonds consists of manuscripts ranging from preliminary work and sketches to full scores. Includes orchestral, chamber and solo music. Compositions represented include Notturno for string orchestra, opus 29, Musica post prandia, opus 31, Sinfonia concertante, opus 34, and Escalations for harpsichord, opus 41.

Sans titre