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Fonds consists of correspondence; manuscript scores of compositions for organ, piano, violin and piano, chorus, and solo voice; programs for various recitals and concerts, some relating to Eunice M. Coutts; newsclippings of articles about G. Coutts; scrapbook; and published work.

Fonds consists of correspondence, poetry, newsclippings, advertisements and Poetry Book Society Bulletins.

Fonds consists of manuscript scores of compositions, adaptations and arrangements by B. Steinberg, correspondence, programs, posters, newspaper clippings, contracts, radio scripts, reviews, published works, material relating to B. Steinberg's activities as composer/scholar-in-residence, lecturer, conductor, etc., and sound recordings.

Fonds consists of manuscripts ranging from preliminary work and sketches to full scores. Includes orchestral, chamber, choral, vocal and operatic music. Composer's program notes for some compositions and photonegatives of some scores are present. Compositions represented include among others Lustro (a triptych comprising Divan i Shams i Tabriz, Music for the Morning of the World and Beyond the Great Gate of Light), Son of Heldenleben, Canzoni for Prisoners, Minnelieder, Sappho, Gita, Requiems for the Party Girl (from Patria II), television opera Loving, The darkly splendid earth, The falcon's trumpet, Gitanjali and Music for a Montreal solstice. Also includes programs, brochures, pamphlets, posters, publicity, reviews, articles and other newsclippings relating to R.M. Schafer and/or his work and lectures, workshops and symposia in which he participated.

Fonds consists of correspondence, contracts, newsclippings and other miscellaneous material, chiefly relating to Canadian Broadcasting Corporation music programs produced by S.I. Glick; manuscripts of CBC radio scripts of music programs produced by S.I. Glick; manuscript sketches and scores of instrumental, orchestral and vocal works; sound recordings of a variety of music including compositions by S.I. Glick; conference papers; concert programs; and awards. Fonds also includes two appendices. MsC 313 consists of 15 audiocassettes which are amateur recordings of S.I. Glick rehearsing and teaching (1994-2001) the Kol Shira Choir of Beth Tikvah Synagogue. MsC 316 consists of an audiocassette recording of a tribute to S.I. Glick broadcast on CBC Radio, April 22, 2002.

Fonds consists of records related to the professional and personal life of Malcolm Forsyth that reveal the many aspects of his career as music composer and arranger, conductor and music director, educator, and scholar. The fonds is arranged into seven record series: Music Composing series consisting of music sketches and scores composed by Forsyth, and other records related to his compositions (1960-2010); Music Arranging series consisting of music sketches and scores arranged by Forsyth, and related material (1960-2011); Music Business series consisting of records related to the business and administrative aspects of Forsyth’s music career (1957-2010); Other Musical Activities series consisting of sound recordings of Forsyth’s works, sound recordings of interviews with him, records related to his teaching, conducting, and adjudicating activities, and concert programs of his works (1961-2010); Scholarship series consisting of records related to Forsyth’s music education and his academic career (1960-2000); Personal series consisting of biographies, curriculum vitae, photographs, and art sketches (1960-2010); and Correspondence series consisting of professional and personal correspondence (1967-2011).

Fonds consists of materials relating to courses John Reid instructed and his role in founding and directing the Jazz Is Society of Alberta, radio scripts for CJAY 92FM jazz program Jazz Space (April 3, 1981 - March 8, 1987) and Jazz Spectrum (March 15, 1987 - September 1, 1991), and ten notebooks with notes on jazz recording albums considered for review in J. Reid's column in Calgary Sun newspaper.

Fonds consists of manuscripts ranging from preliminary work and sketches to full scores. Includes orchestral, chamber and solo music. Compositions represented include Notturno for string orchestra, opus 29, Musica post prandia, opus 31, Sinfonia concertante, opus 34, and Escalations for harpsichord, opus 41.

Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

Fonds consists of correspondence and contracts; notebooks; manuscript scores of vocal, choral, instrumental, chamber, orchestral and electronic works; manuscripts of articles and program notes; concert programs and promotional material; newsclippings of articles and reviews, as well as scrapbook, 1949-1961, tracing a. lanza's musical career; photographs; sound recordings, film and videocassette featuring performances of a. lanza's works; material relating to Electronic Music Studio, McGill University, and to teaching; sound recordings of others' music; recorded interviews with a. lanza and a. lanza interviewing others; and miscellaneous material. Also includes draft of Pamela Jones's biography of a. lanza.