Fonds consists of the following series: correspondence and family papers (1943-1981); diaries (n.d., 1978-1981); poetry (n.d., 1967-1982); editorial (1981); creative writing (n.d., 1978-1979); and miscellaneous (n.d.).

Fonds consists of correspondence; manuscripts of novels, short stories, articles, essays, book reviews, screenplays and stage plays; works on B. Moore; and miscellaneous material. Also includes five small appendices (MsC 32, 33, 34, 35, 43) consisting of material relating to B. Moore and acquired from other sources. Appendices include television script of A view from across the water; correspondence and contracts relating to publication by Harlequin Books Limited of Wreath for a redhead and The executioners; promotional material and reviews of Citadel Theatre production of Catholics; and sound recording of speech given by B. Moore. MsC 267 consists of postcard from the spinster lady Mary Judith Keogh (the original of Judith Hearne) to B. Moore's aunt, Mrs. McInally, in Belfast circa 1900. Accession 758/04.8 consists of photocopies of letters from B. Moore to William Weintraub, 1951-1976.

Fonds consists of personal and business correspondence; manuscripts; published works; audio visual; works by other authors and miscellaneous.

Fonds consists of manuscript of Cabbagetown store and two copper title plates. Cabbagetown store published by Ryerson Press (Toronto, 1953).

File consists of interviews by L. M. Potts and Sandra Jones, Reevan Dolgoy, and Peggy Leighton.

Fonds consists of draft and final manuscripts of all of his novels, short stories and poems, both published and unpublished, correspondence with writers, colleagues, editors, publishers, artists, and acquaintances, files relating to his work at the Banff Centre, personal files on his career development, as well as academic manuscripts and teaching notes and VHS tapes of his TV appearances on Midday, Imprint, Literati and a recording of his screenplay Strange Cargo.