Fonds consists of correspondence; manuscripts of novels (The Acrobats;The apprenticeship of Duddy Kravitz; Barney's version; A choice of enemies; Cocksure; The Incomparable Atuk; It's harder to be anybody; Jacob Two Two and the dinosaur/meets the hooded fang/spy case; Salomon Gursky was here; Son of a smaller hero; St. Urbain's horseman; Stick your neck out), short stories, articles, essays, reviews, screenplays, stage plays, and radio and television plays; published works; interviews; sound recordings and moving images; photographic prints, promotional materials and ephemera. Also includes Genie and Nellie awards and commemorative plaques.

Fonds consists of correspondence; research material; notes; manuscripts of novels, short stories, children's literature, television plays and screenplays; speeches; lectures; works on R. Wiebe; and material relating to R. Wiebe's editing of short story anthologies. Includes material relating to R. Wiebe's teaching creative writing courses at the University of Alberta and to his involvement with the Writers' Union of Canada and Canada Council, as well as conferences, writers' festivals, committees, workshops, juries and readings. Accession 349/84.16, consisting of Glenbow Foundation manuscript Frank Collicutt and his Willow Springs Herefords, 1957 (photocopy), Accession 350/84.17 consisting of Glenbow Foundation manuscript Claude Gallinger and his Killearn Shorthorns, 1957 (photocopy), and Accession 386/86.08, consisting of Foothills, v. 1, no. 1, April 2, 1985 with article Wiebe: Riel is a legitimate, authentic, mythic hero by Kelly Pitman and 2 audiocassettes with a Riel workshop and a reading by R. Wiebe, filed with Accession 329/83.26 (box 44).

Fonds consists of correspondence; research material; preliminary work; manuscripts of novels, short stories, anthology, radio play, articles, essays, speeches and book reviews; promotional material; reviews; works about M. Hughes; and miscellaneous material.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of S. Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills; programmes and reviews; works about S. Pollack including biographical material; Interviews and newsclippings; and 3 videocassettes of various play productions.