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Fonds consists of correspondence and minutes of meetings from the 25th Anniversary Committee; Place of Vision book; records, reports and publications from various campus units documenting how they celebrated the 25th Anniversay events with open houses, awards, projects, concerts, tours, displays, performances and demonstrations. Also includes photographs of the October, 1991 Open House and photograph contact sheets of displays from the Archives and Special Collections.

Fonds consists of Leon Bankoff's collection of material relating to a geometric figure, the 'arbelos'. Includes correspondence, primarily with other mathematicians including Clayton W. Dodge, Howard Eves, Leo Sauvé, and Charles W. Trigg; manuscripts including notebooks; published works; works by others; and material by and about M. Victor Thébault.

Two maquettes of gargoyles carved as models for the grotesques that would subsequently be carved in the upper corners of the entrance to the Senate Chamber of Canadian Parliament. The maquettes were donated by the family of Thomas Dunlop Rankin (1886-1965) who supervised the reconstruction of Parliament Centre Block (1916-1927). Initials carved into the grotesques "W.J.A." are those of Walter Joseph Allen who was an English sculptor employed on the construction of the Centre Block. Allen worked as the superintendent of the modeling and carving shop and was responsible for the team of carvers from April 1917 to June 1924.

Collection consists of scene and costume design for operas, operettas, stage plays, films, revues and ballets, as well as for many unidentified productions. Many designs are undated. Design media include watercolour, gouache, pencil, charcoal and tempera. Designers represented include Percy Anderson (1851-1928), Georges Barbier (1882-1932), Alexandre Benois (1870-1960), Charles Betout (active ca. 1900-1939), Umberto Brunelleschi (1879-1949), Boris Bilinsky (1900-1948), Serge Soudeikine (1882-1946) and C. Wilhelm (1856-1925). Collection also includes Vanity Fair lithographs of actors and managers (ca. 1874-1912) and a series of engraved dramatic portraits.

The collection consists of manuscripts, books, sound recordings and videotapes by the distinguished writers resident at The University of Calgary.

Collection consists of British manuscript documents collected by E. Osborne relating to a variety of topics. Includes ballads, letters, play, parliamentary documents, speeches, petitions and applications for letters patent. Also includes 6 items (200?-2005) relating to MsC 132.27, unpublished play, variantly titled Marriage upon marriage, or As I told you before and The Humorous Magistrate. Also included are 10 copies of microfilm reels and transcriptions of images of an earlier version of The Humorous Magistrate and Osborne's annotations which are held at Arbury Hall in Warwickshire, UK. These micro films reels were acquired and transcribed as part of a SSHRC funded research project in 2008, led by Dr. Mary Polito, English Department University of Calgary. They were formally added to this collection in 2020.

Fonds consists of letters and postcards to F. K.Ginzkey, newsclippings about Ginzkey, dust jackets and promotional material. Also includes poems by Adolphine Reh(?) and Hubert von Beyer-Gerwald.

The fonds consists of black and white photographs that predominantly depict Canadian action during WWI. The majority of the photographs are duplicates of Canadian Official War Photographs held at Library and Archives Canada. For further information about this initiative see: http://goo.gl/cFC15i. Captions on the verso of photographs stamped “Canadian Official War Photograph” are likely transcribed from a print index at Library and Archives Canada.

Christmas card from "Sapper A. Paterson" to "Mr. John White."

Fonds consists of correspondence with George Bowering, Margaret Atwood and other Canadian authors, chiefly relating to the special Margaret Atwood issue published by Malahat Review (no. 41, January 1977) and edited by L. Sandler; preliminary work, sound recordings, transcripts and several drafts of L. Sandler's Interview with Margaret Atwood, published in the special issue; drafts of the table of contents and preface written by L. Sandler; and draft of Tom Marshall's essay Atwood under and above water, also published in the special issue.