Fonds consists of correspondence, photographs, stage design, newspaper clippings, brochures and programs for various drama productions.
Sans titreFonds consists of correspondence; manuscripts, ranging from rough drafts and fragments to production scripts, of stage, radio and television plays, screenplays and operas (Filumena and Frobisher); English translations by J. Murrell of plays by Henrik Ibsen, Victorien Sardou and others; promotional, production and review material; works about J. Murrell; works by others; miscellaneous; published work; and moving image of Waiting for the parade.
Sans titreFonds consists of correspondence; manuscripts of short stories, novels, stage plays, memoirs, filmscript, articles, essays and speeches; reviews; teaching material; material relating to conferences, writers' festivals and workshops, readings and consulting; photographs; sound recordings; moving images; works about W. Choy; awards including The Order of Canada; works by others; and published works.
Sans titreFonds consists of correspondence; research material and notes; preliminary work; manuscripts of novels, stage and radio plays, short stories and television play; reviews and promotional material; set designs and props for plays written or directed by K. Dyba; biographical material; published work; plays written by other authors; material relating to Canadian Actors' Equity Association, The Snail project and The vet project; proposals for various programs; photographs; sound recordings; videocassettes; and miscellaneous material. In addition to manuscripts, Accession 434/88.15 includes research material, such as photographs and sound recordings of Betty Mitchell interviews, used by K. Dyba in writing the biography Betty Mitchell (Calgary : Detselig Enterprises, 1986). Accessions 789/05.10 and 831/07.21 include materials relating to Wayson Choy including reviews, posters, itinerary, book catalogue, videotapes and photographs.
Sans titreFonds consists of business and personal correspondence, contracts and royalty statements; diaries; preliminary work and ideas; manuscripts, ranging from rough drafts to galleys, of radio and television plays, screenplays, radio and film scripts, novels, short stories, articles and speeches; newsclippings of reviews, articles and interviews; and miscellaneous material. Also includes manuscripts of short stories and scripts by other authors.
Sans titreFonds consists of correspondence; manuscripts of short stories, speeches, articles, and radio, television and stage plays; rehearsal notes; promotional material; reviews; and published work. Manuscripts range from preliminary work and working scripts to production scripts and publishers' proofs.
Sans titreFonds consists of correspondence; contracts; diaries; photographs; research material, outlines and preliminary work; manuscripts, ranging from various drafts to galley and production scripts, of short stories, articles, prose, film scripts, screenplays, and stage, television and radio plays; and published work.
Sans titreFonds consists of correspondence with editors, publishers, educators, authors and others; royalty statements and financial records; diaries; notebooks; interviews; photographs; manuscripts, ranging from rough drafts to final proofs and production scripts, of stage plays, short stories and novels; articles about L. Rooke; reviews; published work; and sound recordings of radio broadcasts featuring L. Rooke or his work, chiefly produced by the Canadian Broadcasting Corporation.
Sans titreFonds consists of personal and business correspondence; diaries, journals and writer's logs; research material; manuscripts and page and galley proofs of stage, radio and television plays, fiction and prose; playbills; reviews; photographs; and published work.
Sans titreFonds consists of business and personal correspondence, contracts and royalty statements; manuscripts, galleys and proofs of novels, short stories, articles, and stage, radio and television plays; manuscripts of English translations of two novels (L'élan d'Amérique and Poussière sur la ville); radio scripts for the series Connaissance d'Aujourd'hui; issues of Le Nouveau Journal; theses and other works written about A. Langevin and his work; and published work.
Sans titre