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Composers Con objetos digitales
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Alfred Fisher fonds.

  • CA ACU SPC F0117
  • Fondo
  • 1954-2007

Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

Fisher, Alfred

Alcides Lanza fonds.

  • CA ACU SPC F0116
  • Fondo
  • 1953-2011

Fonds consists of correspondence and contracts; notebooks; manuscript scores of vocal, choral, instrumental, chamber, orchestral and electronic works; manuscripts of articles and program notes; concert programs and promotional material; newsclippings of articles and reviews, as well as scrapbook, 1949-1961, tracing a. lanza's musical career; photographs; sound recordings, film and videocassette featuring performances of a. lanza's works; material relating to Electronic Music Studio, McGill University, and to teaching; sound recordings of others' music; recorded interviews with a. lanza and a. lanza interviewing others; and miscellaneous material. Also includes draft of Pamela Jones's biography of a. lanza.

Lanza, Alcides

Howard Cable fonds.

  • CA ACU SPC F0058
  • Fondo
  • 1937-2006

Fonds consists of variety of materials spanning majority of Howard Cable's professional life including: correspondence; financial materials such as budgets, payroll sheets, and account statements; royalty statements and contracts (some with riders); manuscript sketches and scores as well as published scores of works composed, co-authored, or arranged by Howard Cable including those based on Canadian folk music and those used in large-scale productions such as Canadian National Exhibition Grandstand shows and General Motors automobile shows; scripts and playlists for Canadian Broadcasting Corporation radio and television programmes as well as theatrical productions; programmes, promotional material and newsclippings related to productions or performances in which Howard Cable participated; administrative materials (e.g., meeting minutes, proposals, etc.) concerning professional associations or committees with which Howard Cable was involved; academic programmes and other materials related to courses or clinics taught by Howard Cable; some graphical materials such as technical drawings concerning stage schematics for Sea to Sea, Expo 67 and Canada Day shows in particular; photographs primarily relating to major productions with which Howard Cable was involved such as CNE Grandstand show Sea to Sea; and sound recordings of works that Howard Cable either composed or produced. MsC 300 consists of five orchestral parts/arrangements of popular songs by Howard Cable.

Cable, Howard

Malcolm Forsyth fonds.

  • CA ACU SPC F0182
  • Fondo
  • 1951-2011

Fonds consists of records related to the professional and personal life of Malcolm Forsyth that reveal the many aspects of his career as music composer and arranger, conductor and music director, educator, and scholar. The fonds is arranged into seven record series: Music Composing series consisting of music sketches and scores composed by Forsyth, and other records related to his compositions (1960-2010); Music Arranging series consisting of music sketches and scores arranged by Forsyth, and related material (1960-2011); Music Business series consisting of records related to the business and administrative aspects of Forsyth’s music career (1957-2010); Other Musical Activities series consisting of sound recordings of Forsyth’s works, sound recordings of interviews with him, records related to his teaching, conducting, and adjudicating activities, and concert programs of his works (1961-2010); Scholarship series consisting of records related to Forsyth’s music education and his academic career (1960-2000); Personal series consisting of biographies, curriculum vitae, photographs, and art sketches (1960-2010); and Correspondence series consisting of professional and personal correspondence (1967-2011).

Forsyth, Malcolm

Ben Steinberg fonds.

  • CA ACU SPC F0185
  • Fondo
  • 1954-2008

Fonds consists of manuscript scores of compositions, adaptations and arrangements by B. Steinberg, correspondence, programs, posters, newspaper clippings, contracts, radio scripts, reviews, published works, material relating to B. Steinberg's activities as composer/scholar-in-residence, lecturer, conductor, etc., and sound recordings.

Steinberg, Ben

Manus Sasonkin fonds.

  • CA ACU SPC F0122
  • Fondo
  • 1940-1990

Fonds consists of manuscripts ranging from preliminary work and sketches to full scores. Includes orchestral, chamber and solo music. Compositions represented include Notturno for string orchestra, opus 29, Musica post prandia, opus 31, Sinfonia concertante, opus 34, and Escalations for harpsichord, opus 41.

Sasonkin, Manus

Ruth Watson Henderson fonds.

  • CA ACU SPC F0115
  • Fondo
  • 1937, 1955-1990

Fonds consists of correspondence; newsclippings of articles and reviews; programs of concerts featuring works by R. W. Henderson; and manuscript scores of choral and instrumental music.

Henderson, Ruth Watson

Quenten Doolittle fonds.

  • CA ACU SPC F0114
  • Fondo
  • [194-]-2015

Fonds consists of correspondence; research material; manuscripts of libretti, speeches, articles and notes to accompany music; manuscript scores, ranging from sketches to full scores, of instrumental, operatic and vocal works, as well as incidental music for the theatre; recordings of the complete works of Q. Doolittle on 18 compact disks; promotional and production material; concert and festival programs; workshop and concert series brochures; photographs; newsclippings; and correpondence, promotional and other material relating to various musical and educational organizations with which Q. Doolittle was affiliated. Fonds also includes one small appendix, MsC 281, consisting of scores for Four songs for soprano and viola including vocal score, viola score and transfigurations for viola and piano.

Doolittle, Quenten

William A. McCauley fonds.

  • CA ACU SPC F0112
  • Fondo
  • 195-?-1999

Fonds consists of correspondence and financial records; published work; sound recordings; concert programs; newsclippings of articles about W. A. McCauley; manuscripts of music sketches, scores and instrumental parts. Compositions include incidental music for stage, radio, television and film; works for orchestra, concert band, chamber ensembles, chorus and voice; and educational pieces for piano. Shotlists and commentaries accompany some incidental music.

McCauley, William

Norma Beecroft fonds.

  • CA ACU SPC F0110
  • Fondo
  • 1947-2005

Fonds consists of correspondence; manuscripts, ranging from notes and sketches to full scores, of orchestral, chamber and choral music as well as manuscripts of lectures and radio scripts about various Canadian composers; material about N. Beecroft and her career including items from her early education, newsclippings, articles, brochures and programmes; sound recordings of compositions by N. Beecroft, as well as of interviews, documentaries and tapes produced by Norma Beecroft Sound Inc. including master tapes for several Stratford Festival productions; videocassettes from the National Choreographic Seminar at the Banff Centre, Banff, Alberta, 1980; correspondence, financial records and other material relating to Beecroft/Maki Productions and to various music programs such as Ten Centuries Programs, Music of Today and Passage of the 20th Century, with which N. Beecroft was associated, particularly at CJRT-FM Radio, Toronto, Ontario; proposals, conferences, committees and workshops in which N. Beecroft was involved; material relating to Norma Beecroft Sound Inc.; and other miscellaneous material.

Beecroft, Norma

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