Showing 172 results

• Consists of:
• 03.02.20 Signed typed letter relating that galleys of Reflections on a mountain summer have been submitted for film consideration and mentioning Canadian gothic, American modern and Smile, Maizie Clay (March 21, 1974).
• 03.02.21 Signed typed letter relating film studio reaction to Reflections on a mountain summer (March 21, 1974).

• Consists of:
• 03.02.27 Signed typed letter relating reactions to film submissions of Reflections on a mountain summer (April 9, 1974).
• 03.02.28 Signed typed letter discussing financial terms for McClelland and Stewart Limited's publication of Reflections on a mountain summer (April 11, 1974).
• 03.02.29 Signed typed letter from Lucy Kroll Agency to Alfred A. Knopf Incorporated, with holograph notation, discussing financial terms for McClelland and Stewart Limited's publication of Reflections on a mountain summer (April 12, 1974).
• 03.02.30 Signed typed letter regarding financial terms for Canadian publication of Reflections on a mountain summer and mentioning Artichoke revision and progress on Smile, Maizie Clay (April 29, 1974).
• 03.02.31 Signed typed letter related to film submissions of Reflections on a mountain summer (May 3, 1974).

• Consists of:
• 03.02.47 Signed typed postcard, with holograph postscript, relating to book jacket for Reflections on a mountain summer (July 11, 1974).
• 03.02.48 Signed typed letter enclosing review article on Reflections on a mountain summer (July 16, 1974).
• 03.02.49 Signed typed letter discussing British publication of Reflections on a mountain summer (July 19, 1974). Encloses carbon copy of typescript letter from Lucy Kroll Agency to A.P. Watt & Son discussing terms for British publication by Macmillan (July 19, 1974).

• Consists of:
• 03.02.64 Signed typed letter discussing lack of reviews for Reflections on a mountain summer (September 17, 1974). Includes Glass's holograph annotations.
• 03.02.65 Carbon copy of signed typed letter relating to publication of Reflections on a mountain summer, California production of Canadian gothic and American modern, and mentioning Artichoke revision (September 22, 1974).

• Consists of:
• 02.04.07 Signed typed letter, with holograph postscript, expressing enthusiasm for rewrite of Artichoke and suggesting minor changes (June 13, 1974).
• 02.04.08 Carbon copy of signed typed letter discussing Artichoke revisions and possible production, also mentioning Reflections on a mountain summer and radio adaptation of Canadian gothic (June 17, 1974).

Signed typed letter discussing possible British and Canadian publication of Recollections of a mountain summer, later titled Reflections on a mountain summer (February 15, 1974).

• Consists of:
• 03.02.10 Carbon copy of signed typed letter enclosing photographs and biographical information for Reflections on a mountain summer, also mentioning Smile, Maizie Clay (March 1, 1974).
• 03.02.11 Signed typed letter discussing possible Canadian publication of novel, probably Reflections on a mountain summer, and requesting script of Artichoke (March 4, 1974).

• Consists of:
• 03.02.14 Carbon copy of signed typed letter discussing proofreading of galleys and final title selection for Reflections on a mountain summer, also mentioning Artichoke and Smile, Maizie Clay (March 8, 1974).
• 03.02.15 Signed typed letter acknowledging letter and mentioning Artichoke and Smile, Maizie Clay (March 11, 1974).

• Consists of:
• 03.02.35 Signed typed letter enclosing contract amendments about Canadian rights for Reflections on a mountain summer and mentioning Smile, Maizie Clay (May 9, 1974).
• 03.02.36 Signed typed letter enclosing letters (May 15, 1974). Includes photocopy of signed typed letter from Atlantic Monthly to Lucy Kroll Agency rejecting Reflections on a mountain summer for serialization (April 2, 1974); signed typed letter from Redbook to Lucy Kroll Agency rejecting Reflections on a mountain summer (May 14, 1974) which includes Lucy Kroll's holograph postscript to Glass.

• Consists of:
• 02.05.01 Carbon copy of signed typed letter discussing possible San Francisco workshop production of Artichoke, co-writing a film, and mentioning Canadian gothic, American modern and royalties from Reflections on a mountain summer (January 14, 1975).
• 02.05.02 Signed typed letter discussing Elliot Martin's proposal for Artichoke, the possibility of a workshop production, and giving advice about working with John Korty, also mentioning American modern and Canadian gothic (January 17, 1975).
• 02.05.03 Carbon copy of signed typed letter discussing the various possibilities for a production of Artichoke January 21, 1975).