Fonds consists of materials relating to courses John Reid instructed and his role in founding and directing the Jazz Is Society of Alberta, radio scripts for CJAY 92FM jazz program Jazz Space (April 3, 1981 - March 8, 1987) and Jazz Spectrum (March 15, 1987 - September 1, 1991), and ten notebooks with notes on jazz recording albums considered for review in J. Reid's column in Calgary Sun newspaper.

Fonds consists of correspondence; manuscripts of novels, poems, poetry collections, short stories, screenplays, opera libretto, music scores, translations, speeches, essays and proposal for an unwritten biography; material relating to conferences, writers festivals and workshops; works about G. Gunn and published works.
An accrual received in 2016 (Acc 2016.016) with a date range of 1983-2014, includes the complete drafts of novel Solitaria (boxes 1-5), and some drafts of other works including Tracing Iris, several short stories, Tracing Iris film script, reviews, correspondence with writers and editors, including Carolyn Swayze, correspondence with translators for Tracing Iris and Solitaria into other languages including Italian and Dutch, interviews given in magazines, records of workshops and conferences attended and papers given, records on awards adjudications, reading lists and reference materials.

Fonds consists of correspondence including subject files; notebooks, daytimers and contact books; manuscripts of novels, screenplays, biographies, short stories, articles, columns, book reviews, essays, and speeches; published works; editing work; scrapbooks of articles and reviews clipped from the Calgary Herald; teaching files; material relating to conferences, writers' festivals and workshops; material relating to songwriting; miscellaneous personal records and material about K. McGoogan; and works by others. Fonds also includes sound recordings and original songs written by K. McGoogan, other music, interviews and readings; videocassettes of personal appearances; and photographs.

Fonds consists of the personal and professional records of E. D. Blodgett. The fonds is related to the many aspects of his career as a poet, professor, and lecturer.

Fonds consists of music scores and sketches; correspondence; concert programs, brochures and posters; reviews and articles about Mather; and other material.

Fonds consists of correspondence to and from various members of the Simmins family, principally to Barbara Simmins, and Richard Simmins' photocards to Marjorie Simmins; material relating to B. Simmins' career, estate and financial matters; material relating to the death of Susette Simmins in 2007; drafts of B. Simmins' manuscript Should angels come: a letter to my daughter; articles by and about Philip Simmins, Richard Simmins and Geoffrey Simmins; daytimers and diaries written by B. Simmins (?) and Marjorie Mabel Beaufort Simmins; Karen Simmins' journals, poems, childhood drawings, stories and letters; photographs of members of the Simmins and Atkinson families, including several photo albums.

Fonds consists of correspondence; research material; manuscripts of libretti, speeches, articles and notes to accompany music; manuscript scores, ranging from sketches to full scores, of instrumental, operatic and vocal works, as well as incidental music for the theatre; recordings of the complete works of Q. Doolittle on 18 compact disks; promotional and production material; concert and festival programs; workshop and concert series brochures; photographs; newsclippings; and correpondence, promotional and other material relating to various musical and educational organizations with which Q. Doolittle was affiliated. Fonds also includes one small appendix, MsC 281, consisting of scores for Four songs for soprano and viola including vocal score, viola score and transfigurations for viola and piano.

Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

Fonds consists of variety of materials spanning majority of Howard Cable's professional life including: correspondence; financial materials such as budgets, payroll sheets, and account statements; royalty statements and contracts (some with riders); manuscript sketches and scores as well as published scores of works composed, co-authored, or arranged by Howard Cable including those based on Canadian folk music and those used in large-scale productions such as Canadian National Exhibition Grandstand shows and General Motors automobile shows; scripts and playlists for Canadian Broadcasting Corporation radio and television programmes as well as theatrical productions; programmes, promotional material and newsclippings related to productions or performances in which Howard Cable participated; administrative materials (e.g., meeting minutes, proposals, etc.) concerning professional associations or committees with which Howard Cable was involved; academic programmes and other materials related to courses or clinics taught by Howard Cable; some graphical materials such as technical drawings concerning stage schematics for Sea to Sea, Expo 67 and Canada Day shows in particular; photographs primarily relating to major productions with which Howard Cable was involved such as CNE Grandstand show Sea to Sea; and sound recordings of works that Howard Cable either composed or produced. MsC 300 consists of five orchestral parts/arrangements of popular songs by Howard Cable.

Fonds consists of records created by the Office of Gender and Equity Issues which forms part of the Faculty of Medicine. The records include annual reports, membership information, presentation and training materials, correspondence, equity statistics, mandate review documents, and other materials.