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Fonds consists of correspondence; music manuscripts, ranging from pencil sketches to full master (publisher-ready) scores, of choral, vocal, chamber, instrumental, incidental, operatic and ballet music; manuscripts of articles and booklets about music; published work; programs relating to W. Bottenberg's musical career; greeting cards featuring music, designed by W. Bottenberg; and teaching related material.

Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

Fonds consists of music scores and sketches; correspondence; concert programs, brochures and posters; reviews and articles about Mather; and other material.

Fonds consists of correspondence, contracts, newsclippings and other miscellaneous material, chiefly relating to Canadian Broadcasting Corporation music programs produced by S.I. Glick; manuscripts of CBC radio scripts of music programs produced by S.I. Glick; manuscript sketches and scores of instrumental, orchestral and vocal works; sound recordings of a variety of music including compositions by S.I. Glick; conference papers; concert programs; and awards. Fonds also includes two appendices. MsC 313 consists of 15 audiocassettes which are amateur recordings of S.I. Glick rehearsing and teaching (1994-2001) the Kol Shira Choir of Beth Tikvah Synagogue. MsC 316 consists of an audiocassette recording of a tribute to S.I. Glick broadcast on CBC Radio, April 22, 2002.

Fonds consists of correspondence, chiefly with other musicians and composers; manuscript of Words on music; manuscript scores of compositions for viola, organ, chorus, and violin and organ, as well as an octet for woodwinds, strings and piano; and manuscript scores by other composers, including Phantasy for violin with piano accompaniment (Gestetner(?) reproduction of original manuscript) by Arnold Schoenberg and Sonata for solo violin (original manuscript) by Roger Sessions.

Fonds consists of manuscript scores of compositions, adaptations and arrangements by B. Steinberg, correspondence, programs, posters, newspaper clippings, contracts, radio scripts, reviews, published works, material relating to B. Steinberg's activities as composer/scholar-in-residence, lecturer, conductor, etc., and sound recordings.

Fonds consists of records related to the professional and personal life of Malcolm Forsyth that reveal the many aspects of his career as music composer and arranger, conductor and music director, educator, and scholar. The fonds is arranged into seven record series: Music Composing series consisting of music sketches and scores composed by Forsyth, and other records related to his compositions (1960-2010); Music Arranging series consisting of music sketches and scores arranged by Forsyth, and related material (1960-2011); Music Business series consisting of records related to the business and administrative aspects of Forsyth’s music career (1957-2010); Other Musical Activities series consisting of sound recordings of Forsyth’s works, sound recordings of interviews with him, records related to his teaching, conducting, and adjudicating activities, and concert programs of his works (1961-2010); Scholarship series consisting of records related to Forsyth’s music education and his academic career (1960-2000); Personal series consisting of biographies, curriculum vitae, photographs, and art sketches (1960-2010); and Correspondence series consisting of professional and personal correspondence (1967-2011).

Fonds consists of correspondence; research material; manuscripts of books on North American folk music and radio scripts for CBC Wednesday Night for which R. Johnston selected, arranged and conducted the music; manuscript scores of orchestral, instrumental, choral, operatic and chamber works, as well as incidental music for the theatre and folk music arranged by R. Johnston; material relating to R. Johnston's research and collection of folklore and folk songs, including reports of his folk song collection in Saskatchewan and Mennonite Ontario, transcripts of oral history tapes and sound cassettes describing the folklore collection; biographical and other information on various musicians; photographs; and material relating to musical organizations, such as the Alberta Composers' Association and the International Society for Music Education, with which R. Johnston was affiliated. Accession 881/11.3 consists of material relating to the publications of R. Johnston's book Folk songs North America sings: a source book for all teachers (Toronto: E.C. Kerby, 1984).

Fonds consists of correspondence and financial records; published work; sound recordings; concert programs; newsclippings of articles about W. A. McCauley; manuscripts of music sketches, scores and instrumental parts. Compositions include incidental music for stage, radio, television and film; works for orchestra, concert band, chamber ensembles, chorus and voice; and educational pieces for piano. Shotlists and commentaries accompany some incidental music.

Fonds consists of correspondence; manuscripts, ranging from notes and sketches to full scores, of orchestral, chamber and choral music as well as manuscripts of lectures and radio scripts about various Canadian composers; material about N. Beecroft and her career including items from her early education, newsclippings, articles, brochures and programmes; sound recordings of compositions by N. Beecroft, as well as of interviews, documentaries and tapes produced by Norma Beecroft Sound Inc. including master tapes for several Stratford Festival productions; videocassettes from the National Choreographic Seminar at the Banff Centre, Banff, Alberta, 1980; correspondence, financial records and other material relating to Beecroft/Maki Productions and to various music programs such as Ten Centuries Programs, Music of Today and Passage of the 20th Century, with which N. Beecroft was associated, particularly at CJRT-FM Radio, Toronto, Ontario; proposals, conferences, committees and workshops in which N. Beecroft was involved; material relating to Norma Beecroft Sound Inc.; and other miscellaneous material.