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Fonds consists of variety of materials spanning majority of Howard Cable's professional life including: correspondence; financial materials such as budgets, payroll sheets, and account statements; royalty statements and contracts (some with riders); manuscript sketches and scores as well as published scores of works composed, co-authored, or arranged by Howard Cable including those based on Canadian folk music and those used in large-scale productions such as Canadian National Exhibition Grandstand shows and General Motors automobile shows; scripts and playlists for Canadian Broadcasting Corporation radio and television programmes as well as theatrical productions; programmes, promotional material and newsclippings related to productions or performances in which Howard Cable participated; administrative materials (e.g., meeting minutes, proposals, etc.) concerning professional associations or committees with which Howard Cable was involved; academic programmes and other materials related to courses or clinics taught by Howard Cable; some graphical materials such as technical drawings concerning stage schematics for Sea to Sea, Expo 67 and Canada Day shows in particular; photographs primarily relating to major productions with which Howard Cable was involved such as CNE Grandstand show Sea to Sea; and sound recordings of works that Howard Cable either composed or produced. MsC 300 consists of five orchestral parts/arrangements of popular songs by Howard Cable.

Fonds consists of manuscripts ranging from preliminary work and sketches to full scores. Includes orchestral, chamber, choral, vocal and operatic music. Composer's program notes for some compositions and photonegatives of some scores are present. Compositions represented include among others Lustro (a triptych comprising Divan i Shams i Tabriz, Music for the Morning of the World and Beyond the Great Gate of Light), Son of Heldenleben, Canzoni for Prisoners, Minnelieder, Sappho, Gita, Requiems for the Party Girl (from Patria II), television opera Loving, The darkly splendid earth, The falcon's trumpet, Gitanjali and Music for a Montreal solstice. Also includes programs, brochures, pamphlets, posters, publicity, reviews, articles and other newsclippings relating to R.M. Schafer and/or his work and lectures, workshops and symposia in which he participated.

Fonds consists of correspondence and financial records; published work; sound recordings; concert programs; newsclippings of articles about W. A. McCauley; manuscripts of music sketches, scores and instrumental parts. Compositions include incidental music for stage, radio, television and film; works for orchestra, concert band, chamber ensembles, chorus and voice; and educational pieces for piano. Shotlists and commentaries accompany some incidental music.

Fonds consists of correspondence, contracts, newsclippings and other miscellaneous material, chiefly relating to Canadian Broadcasting Corporation music programs produced by S.I. Glick; manuscripts of CBC radio scripts of music programs produced by S.I. Glick; manuscript sketches and scores of instrumental, orchestral and vocal works; sound recordings of a variety of music including compositions by S.I. Glick; conference papers; concert programs; and awards. Fonds also includes two appendices. MsC 313 consists of 15 audiocassettes which are amateur recordings of S.I. Glick rehearsing and teaching (1994-2001) the Kol Shira Choir of Beth Tikvah Synagogue. MsC 316 consists of an audiocassette recording of a tribute to S.I. Glick broadcast on CBC Radio, April 22, 2002.

Fonds consists of correspondence; newsclippings of articles and reviews; programs of concerts featuring works by R. W. Henderson; and manuscript scores of choral and instrumental music.

Fonds consists of correspondence; manuscripts, ranging from notes and sketches to full scores, of orchestral, chamber and choral music as well as manuscripts of lectures and radio scripts about various Canadian composers; material about N. Beecroft and her career including items from her early education, newsclippings, articles, brochures and programmes; sound recordings of compositions by N. Beecroft, as well as of interviews, documentaries and tapes produced by Norma Beecroft Sound Inc. including master tapes for several Stratford Festival productions; videocassettes from the National Choreographic Seminar at the Banff Centre, Banff, Alberta, 1980; correspondence, financial records and other material relating to Beecroft/Maki Productions and to various music programs such as Ten Centuries Programs, Music of Today and Passage of the 20th Century, with which N. Beecroft was associated, particularly at CJRT-FM Radio, Toronto, Ontario; proposals, conferences, committees and workshops in which N. Beecroft was involved; material relating to Norma Beecroft Sound Inc.; and other miscellaneous material.

Fonds consists of manuscript and microfilmed scores of compositions by M. Surdin, including many used to accompany theatrical productions and as incidental music for various Canadian Broadcasting Corporation dramatic series; lyrics and scripts of radio, television and stage plays by numerous Canadian playwrights, such as W. O. Mitchell, Max Braithwaite and Len Peterson, for which M. Surdin composed the accompanying music; sound recordings of radio drama, motion picture themes, symphonic and other music composed by M. Surdin; correspondence; and other miscellaneous material.

Fonds consists of records related to the professional and personal life of Malcolm Forsyth that reveal the many aspects of his career as music composer and arranger, conductor and music director, educator, and scholar. The fonds is arranged into seven record series: Music Composing series consisting of music sketches and scores composed by Forsyth, and other records related to his compositions (1960-2010); Music Arranging series consisting of music sketches and scores arranged by Forsyth, and related material (1960-2011); Music Business series consisting of records related to the business and administrative aspects of Forsyth’s music career (1957-2010); Other Musical Activities series consisting of sound recordings of Forsyth’s works, sound recordings of interviews with him, records related to his teaching, conducting, and adjudicating activities, and concert programs of his works (1961-2010); Scholarship series consisting of records related to Forsyth’s music education and his academic career (1960-2000); Personal series consisting of biographies, curriculum vitae, photographs, and art sketches (1960-2010); and Correspondence series consisting of professional and personal correspondence (1967-2011).

Fonds consists of business and personal correspondence; manuscripts, ranging from sketches to master scores, of compositions for voice, chorus, orchestra and various chamber ensembles; manuscripts of articles and lectures; programs and newsclippings of articles about concerts featuring K. Bissell's works; published works; sound recordings of works by K. Bissell and others; and videotape of K. Bissell's retirement reception.

Fonds consists of correspondence; research material; manuscripts of libretti, speeches, articles and notes to accompany music; manuscript scores, ranging from sketches to full scores, of instrumental, operatic and vocal works, as well as incidental music for the theatre; recordings of the complete works of Q. Doolittle on 18 compact disks; promotional and production material; concert and festival programs; workshop and concert series brochures; photographs; newsclippings; and correpondence, promotional and other material relating to various musical and educational organizations with which Q. Doolittle was affiliated. Fonds also includes one small appendix, MsC 281, consisting of scores for Four songs for soprano and viola including vocal score, viola score and transfigurations for viola and piano.