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Fonds consists of correspondence and manuscripts of poems, poetry collections, prose, novels, short stories, speeches and book reviews as well as manuscripts submitted to various journals/anthologies and granting agencies. Also includes notebooks, diaries and journals, photographs, published works in journals and anthologies, reviews and articles about R. Hilles and miscellaneous material, including works by others.

Fonds consists of correspondence; manuscripts of novels, short stories, stage and radio plays, articles and reviews; works about G. Wing; research; and published works.

Collection consists of scene and costume design for operas, operettas, stage plays, films, revues and ballets, as well as for many unidentified productions. Many designs are undated. Design media include watercolour, gouache, pencil, charcoal and tempera. Designers represented include Percy Anderson (1851-1928), Georges Barbier (1882-1932), Alexandre Benois (1870-1960), Charles Betout (active ca. 1900-1939), Umberto Brunelleschi (1879-1949), Boris Bilinsky (1900-1948), Serge Soudeikine (1882-1946) and C. Wilhelm (1856-1925). Collection also includes Vanity Fair lithographs of actors and managers (ca. 1874-1912) and a series of engraved dramatic portraits.

Collection consists of photographs of geologic formations and topographic features; native peoples; northern communities; logging, mining, fishing and whaling activities; survey field parties; and miscellaneous subjects including some of U.S. Geologic Survey offices and staff. Most photographs were taken in Alaska, but also represented are the Yukon, Virginia, Maryland and Texas. Texas photographs are of oil fields and refineries, ca. 1917. Most photographs are dated and include descriptive captions. Photographs received in albums but removed for conservation purposes.

Fonds consists chiefly of material relating to the Canadian Arctic Expedition, 1913-1918, led by Vilhjalmur Stefansson. Includes correspondence, biological reports and official journals kept by F. Johansen, chiefly on hydrography and entomology, as a member of the Southern Party of the expedition. Also includes correspondence, biological reports and diaries relating to F. Johansen's field research in Hudson and James Bays, June 1920 - October 1920; scientific reports and species lists resulting from other field expeditions by F. Johansen and others, 1897-1926; and transcriptions of articles and personal narratives of scientific explorers, chiefly on hydrography, geology and meteorology, ca.1804 to the early 1900s.

The fonds consists of records documenting the history, administration, and activities of EMI Music Canada and its predecessor labels, Capitol Records–EMI of Canada, Capitol Records of Canada, and Capitol Records Distributers of Canada. The records include studio master recordings, demos, photographs, memorabilia, correspondence, business reports, promotional material, press clippings, financial statements, music videos, legal agreements, presentations, and other material reflecting the activities of one of Canada’s largest record labels from approximately 1949 to 2012. It includes four series based on the EMI Music Canada recordkeeping system: President’s Office, EMI Canada 50th Anniversary, Artist & Repertoire (A&R), and EMI Canada head office artwork. The A&R series has been divided into 8 sub-series: Administration files; Audio recordings; Video recordings; Photographs; Record awards; Demo submissions; Artwork; and Commercial releases. The President’s Office series mainly contains subject correspondence files and artist files created and maintained by the company’s president, Deane Cameron, from approximately 1992 to 2012, along with reports, budgets, marketing plans, and presentations. These files provide insight into the executive leadership of EMI Canada over the span of Cameron’s tenure, documenting the range of artists supported by EMI Canada as well as some of the developments in the wider Canadian music industry over the 1990s and 2000s. The files contained in the 50th Anniversary series document the company’s history from 1949 to 1999, and includes photographs, memorabilia, posters, pamphlets, catalogues, LPs, and 45s reflecting celebrations held in 1999 and research that led into the production of the commemorative book and CD box set Fifty Years of Music: The Story of EMI Music Canada. The administration files in the A&R series primarily consist of artist files and general files. The artist files document the artistic development and recording careers of a wide range of artists signed to EMI Canada and its affiliate labels. The general A&R administration files span a variety of activities in the operation of the department, primarily however documenting business relations with EMI international branches, attendance at music conferences, seeking new talent, commercial releases and catalog listings, and demo assessments. The audio recordings include both released and unreleased material and a wide range of EMI Canada artists’ original studio masters, demos, outtakes, alternate mixes, remixes, instrumentals, live recordings, and production masters. The video recordings are largely edited masters and promo versions of music videos as well as promo clips and live performances by artists on the EMI Canada label as well as Canadian and international artists distributed by the label. There are over 20,000 photographs of EMI Music Canada artists taken by professional photographers for use as album artwork, publicity stills, and promotion. The A&R artwork consists of over 11,000 graphic items used in the creation of album art for EMI Music Canada and related labels. Also included are 672 gold and platinum record awards received by EMI Music Canada, as well as posters, paintings, and photographs that were used as decorative artwork at the label’s headquarters in Toronto.

Fonds consists of letters from poets Earle Birney, George Bowering, Frank Davey, David Dawson, Al Purdy and others, discussing poetry, the TISH poetry group and various other topics; letters from Louis Dudek, Fred Cogswell and Victor Coleman relating to D. Bromige's submission of poetry to various periodicals for publication consideration; correspondence with Atlantic Monthly relating to a poem by G. Bowering published in that periodical; and manuscripts of poetry by G. Bowering and an analysis by D. Bromige of G. Bowering's poem The red hot element.

Fonds consists of correspondence between Ms. C.M. Jones and Richard Guy and solutions to problems in number theory.

Fonds consists of correspondence; manuscripts of poetry, novels, short stories, speeches, essays and reviews; notebooks; audio visual material; awards and honours; teaching materials; works on R. Kroetsch; published work; and works by others. MsC 42, the speech given by R. Kroetsch on the occasion of the presentation of the Robert Kroetsch papers to the University of Calgary, is an appendix to MsC 27.