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Fonds consists of scrapbooks, ephemera, design materials and dummies for early work and artist's books, journals, correspondence, catalogues, sales books.

Fonds contains records relating to the role Strathcona Minerals played in the Bre-X investigation and later court case. Records include Strathcona's due diligence investigation and report, related records from Bre-X including drill samples and analysis, reports and correspondence, and court records relating to Strathcona's provision of expert witness testimony.

Only selected volumes from the court case (R. vs John B. Felderhof) are represented in this fonds as they pertain to Strathcona's involvement. Records include reference documents, exhibits, transcripts, and background documentation.

Consists of digital files of film elements of film titles Haida Paul was involved with as editor or producer.

Fonds consists of records created or received by Marjorie Rice during her mathematical research and discovery of tiling patterns, and her study and exploration of tessellations and patterns derived from various geometric shapes.

Fonds consists of the records Gerald I Kenney created during his research for the books 'Arctic Smoke and Mirrors' (2003) boxes 1-5, Dangerous Passage (2004), box 6, and ships of Wood. Men of Iron' (2005), box 7. Records include copies of archival documenst, copies and original photographic prints related used in the books, correspondence including with the Pierre Burton and the Royal commission on RCAP in the 1993-1994, and with fellow researchers and stakeholders, three VHS tapes, two of which are interviews with Kenney, and 22 audio cassette tapes with interviews Kenny conducted himself with witnesses of the Inuit resettlement program for his book 'Arctic Smoke and Mirrors'. The VHS tapes and computer diskettes are recordings of 1993 RCAP public hearings and CBC programs on the subject. Some research materials, consisting of copies of archival materials Kenney obtained from archival repositories and private sources, was retained by the archivist because they may be difficult to acquire.

The fonds consists of drafts and completed manuscripts and research materials including recorded interviews for Brennan's published books. Features drafts of his magazine stories and research notes; as well as copies and clippings and research materials for his works as journalist.

The fonds consists of records documenting the history, administration, and activities of EMI Music Canada and its predecessor labels, Capitol Records–EMI of Canada, Capitol Records of Canada, and Capitol Records Distributers of Canada. The records include studio master recordings, demos, photographs, memorabilia, correspondence, business reports, promotional material, press clippings, financial statements, music videos, legal agreements, presentations, and other material reflecting the activities of one of Canada’s largest record labels from approximately 1949 to 2012. It includes four series based on the EMI Music Canada recordkeeping system: President’s Office, EMI Canada 50th Anniversary, Artist & Repertoire (A&R), and EMI Canada head office artwork. The A&R series has been divided into 8 sub-series: Administration files; Audio recordings; Video recordings; Photographs; Record awards; Demo submissions; Artwork; and Commercial releases. The President’s Office series mainly contains subject correspondence files and artist files created and maintained by the company’s president, Deane Cameron, from approximately 1992 to 2012, along with reports, budgets, marketing plans, and presentations. These files provide insight into the executive leadership of EMI Canada over the span of Cameron’s tenure, documenting the range of artists supported by EMI Canada as well as some of the developments in the wider Canadian music industry over the 1990s and 2000s. The files contained in the 50th Anniversary series document the company’s history from 1949 to 1999, and includes photographs, memorabilia, posters, pamphlets, catalogues, LPs, and 45s reflecting celebrations held in 1999 and research that led into the production of the commemorative book and CD box set Fifty Years of Music: The Story of EMI Music Canada. The administration files in the A&R series primarily consist of artist files and general files. The artist files document the artistic development and recording careers of a wide range of artists signed to EMI Canada and its affiliate labels. The general A&R administration files span a variety of activities in the operation of the department, primarily however documenting business relations with EMI international branches, attendance at music conferences, seeking new talent, commercial releases and catalog listings, and demo assessments. The audio recordings include both released and unreleased material and a wide range of EMI Canada artists’ original studio masters, demos, outtakes, alternate mixes, remixes, instrumentals, live recordings, and production masters. The video recordings are largely edited masters and promo versions of music videos as well as promo clips and live performances by artists on the EMI Canada label as well as Canadian and international artists distributed by the label. There are over 20,000 photographs of EMI Music Canada artists taken by professional photographers for use as album artwork, publicity stills, and promotion. The A&R artwork consists of over 11,000 graphic items used in the creation of album art for EMI Music Canada and related labels. Also included are 672 gold and platinum record awards received by EMI Music Canada, as well as posters, paintings, and photographs that were used as decorative artwork at the label’s headquarters in Toronto.

Fonds consists of the administration and publicity records of New Works Calgary, and performance recordings and posters.

The fonds consists of John Peter Lee Roberts’ personal papers and records from his professional and academic career and involvement in the art music community spanning the years 1940 to 2015, however, the bulk of the records fall within the 1950s to the 1990s.
Evidenced in the fonds in particular is John Roberts’ work at the CBC, the Canadian Music Centre, the Canadian Music Council and the International Music Council, as well as his advisory role with the CRTC. There are reports and internal correspondence within the CBC documenting Roberts work as architect of programs, policy maker and as decision maker in leadership roles in the development of festivals and performances which include CBC concert programs, from the 1950s to the early 1980s. There is a significant volume of CBC correspondence between him and Canadian composers regarding the commissioning of works, performance and recording of commissioned works and about their developing careers. Among the composers are Murray Adaskin, Bruce Mather, R. Murray Schafer, Norma Beecroft, John Weinzweig, Barbara Pentland, Serge Garant, Istvan Anhalt, Harry Somers, and John Beckwith. There is also correspondence with Yehudi Menuhin with whom he and Gould worked, as well as musicians of note, such as Maureen Forester and Robert Craft.

There are files on Igor Stravinsky’s visits to Toronto in the 1960s which include photographs, correspondence with Stravinsky and Robert Craft, copies of scores, concert programs, news clippings, and articles. As well as, there are files on Roberts’ and Glenn Gould’s development of radio and TV documentaries.

Roberts’s research and writing is documented in files containing reference material, drafts and copies of presentations, papers, and publications, notably from his academic career, and also include research files on his M.A. thesis on the development of music, draft chapters and a copy of the thesis. Roberts’ work to preserve and promote Gould’s legacy after his death are evidenced in numerous research files and correspondence about his Gould’s letter publishing projects, and the establishment of the Glenn Gould Foundation and Prize and its early adjudication. Robert’s involvement as cofounder of the Toronto International Festival is documented in many file containing correspondence, proposals, budgets and reports. There are photographs, both candid shots and professionally produced which show Roberts in company of composers and other members of the Canadian and international music community in the 1960s to the 1980s. There are also files from his work with national and international associations in particular from his work with the Canadian Music Council and Canadian Music Centre and the International Music Council. The series CBC is by far the largest with a volume of 5.2 m and consists mainly of corporate CBC records which Roberts chose to retain and took with him when he left the CBC and which have therefore survived filling large gaps in the administrative records of the CBC acquired by the former National Archives.