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Fonds consists of the following series: correspondence; manuscript; published work; scrapbook; works on Constance Beresford-Howe; miscellaneous; and sound recordings.

Fonds consists of the following series: correspondence; manuscript, arranged in two subseries, fiction and non-fiction; translation; works by other authors; works by creative writers ; photograph; and miscellaneous.

Fonds consists of general correspondence and correspondence relating to individual titles; biographical material such as awards and interviews; manuscripts ranging from rough drafts and fragments to production scripts of stage plays, screenplays, novels, short stories and essays; promotional, production and review material; photographs; posters; audio visual material including audio and VHS cassettes, CDs and vinyl discs; published works; and ephemera material such as paintings and a stained glass hanging panel.

Fonds consists of the following:

• Correspondence and family papers (1943-1981)
• Diaries (n.d., 1978-1981)
• Poetry (n.d., 1967-1982)
• Editorial (1981)
• Creative writing (n.d., 1978-1979)
• Miscellaneous (n.d.).

Fonds includes material relating to the life and works of W. O. Mitchell as a writer, teacher, playwright and performer. Included are personal, general and business related correspondence; manuscripts of novels, short stories, stage plays, radio plays, television plays and film scripts; copies and drafts of articles in newspapers and magazines; audio-visual recordings of interviews with Mitchell and dramatizations of Mitchell’s works; promotional material such as posters; teaching records relating to his positions as writer-in-residence and lectures and presentations delivered to academic and primary schools; awards such as honorary degrees; personal records including scrapbooks; financial files including writing contracts and business records; photographs; and an electric typewriter used by Mitchell at his cabin on Mabel Lake, B.C.

Fonds consists of the following series for MsC 54: correspondence ([19--], 1965-1984); manuscript ([19--], 1971-1984); audio ([19--], 1971-1981); works by other authors (1976-1984); and miscellaneous ([19--], ca. 1965-1984). MsC 295 consists of holograph thank-you to Dorothy Jones from S. Pollock; three typescript (photocopy) letters to Bill Millerd, Vancouver Arts Club, from S. Pollock; two production photographs of S. Pollock in Douglas College production of Lysistrata; and one production photograph of S. Pollock in Douglas College production of her own play, My name is Lisbeth. MsC 320 consists of compact disk recording of Canadian Broadcasting Corporation production of radio play Constance Kent by S. Pollock with S. Pollock in the title role, 1990. MsC 326 consists of letter from S. Pollock to members of Playwrights Union of Canada regarding contracts. MsC 331 consists of letter (June 23, 2001) from S. Pollock to James DeFelice. Filed with MsC 54.2.3. Acc 890/12.7 consists of correspondence; research material and manuscripts of stage plays, articles and speeches; collaborative projects including a scenario for a ballet; contracts; royalty statements; publicity materials; playbills; programmes and reviews; works about S. Pollack including biographical material; Interviews and newsclippings; and 3 videocassettes of various play productions.

Fonds consists of correspondence; manuscripts of novels (The Acrobats;The apprenticeship of Duddy Kravitz; Barney's version; A choice of enemies; Cocksure; The Incomparable Atuk; It's harder to be anybody; Jacob Two Two and the dinosaur/meets the hooded fang/spy case; Salomon Gursky was here; Son of a smaller hero; St. Urbain's horseman; Stick your neck out), short stories, articles, essays, reviews, screenplays, stage plays, and radio and television plays; published works; interviews; sound recordings and moving images; photographic prints, promotional materials and ephemera. Also includes Genie and Nellie awards and commemorative plaques.