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Fonds consists of material relating to James DeFelice's theatrical work as a writer, actor, director and dramaturge. Includes correspondence, manuscripts of screenplays, stage plays and radio play including adaptations of Max Braithwaite's novel Why shoot the teacher? as well as books by Grant MacEwan and Sinclair Ross; and playbills, articles and reviews about J. Defelice and his work.

Fonds consists of correspondence; notebooks; manuscripts of poems and prose; published works including monographs and individual poems in journals and anthologies; works about J.M. Moir; material relating to conferences and workshops; scrapbook; miscellaneous; and works by other authors.

Fonds consists of correspondence, research material, preliminary work, manuscripts, page proofs and published versions of novel Dawn rider.

Fonds consists of family and business correspondence, programs, photographs and sound recordings.

Fonds consists of several manuscripts, chiefly describing the history and culture of the Stoney (Assiniboin) Indian Tribe in Alberta, as well as providing biographical information and photographs of Tribe members; and manuscript of a talk, Sketch of Indians of Alberta, given to the Friends of the Indians Society, Edmonton, 1955. Manuscripts are inscribed to Otter Woman (Anne Downe).

Fonds consists of correspondence; manuscripts, ranging from rough preliminary work to final drafts, of novels, stage play, short stories and book reviews; interviews; and articles about the author and his work.

Collection consists of material relating to the Dieppe raid. Includes taped interviews of veterans of the raid; transcripts of interviews; photographs and slides; war diaries of various Canadian military units participating in the raid; military reports written after the raid; German accounts; correspondence with German veterans; collection of articles, pamphlets, thesis and other published material about the raid; research material for and manuscripts of J. Mellor's book Forgotten heroes : the Canadians at Dieppe; and miscellaneous material.

Fonds consists of correspondence with authors, editors, publishers and educators and on various subjects as well as editorial correspondence relating to Biblioasis, Canadian Notes & Queries and Porcupine's Quill; notes and drafts of novels, short stories, prose, essays and memoirs, and documentation relating to anthologies edited by J. Metcalf; notebooks, scrapbooks, photographs and sound recordings including readings and discussions by the Montreal Storyteller Fiction Performance Group; works on J. Metcalf including awards; published works; and works by others.

Accession 895/12.12 highlights Metcalf's work as an editor and mentor of new literary voices. The records cover the period from 2008-2011, including the tumultuous period of 2008-2009 following the publishing of the Jane Urquhart edited Penguin Book of Canadian Short Stories; Metcalf spearheaded a backlash to Urquhart's story choices, efforts that included an issue of Canadian Notes & Queries with the title "Salon des Refusés." This accession includes correspondence with authors, publishers, rare book dealers and artists, samples of author's work and editorial critiques, personal correspondence and photographs. The accession also includes works by Metcalf including drafts of his short story "Ceazar Salad," and the novella "The Museum at the End of the World."

Fonds consists of letters from various individuals on a variety of topics.

Fonds consists of correspondence; manuscripts, ranging from rough drafts and fragments to production scripts, of stage, radio and television plays, screenplays and operas (Filumena and Frobisher); English translations by J. Murrell of plays by Henrik Ibsen, Victorien Sardou and others; promotional, production and review material; works about J. Murrell; works by others; miscellaneous; published work; and moving image of Waiting for the parade.