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Fonds consists of correspondence; research material; notes; manuscripts of novels, short stories, children's literature, television plays and screenplays; speeches; lectures; works on R. Wiebe; and material relating to R. Wiebe's editing of short story anthologies. Includes material relating to R. Wiebe's teaching creative writing courses at the University of Alberta and to his involvement with the Writers' Union of Canada and Canada Council, as well as conferences, writers' festivals, committees, workshops, juries and readings. Accession 349/84.16, consisting of Glenbow Foundation manuscript Frank Collicutt and his Willow Springs Herefords, 1957 (photocopy), Accession 350/84.17 consisting of Glenbow Foundation manuscript Claude Gallinger and his Killearn Shorthorns, 1957 (photocopy), and Accession 386/86.08, consisting of Foothills, v. 1, no. 1, April 2, 1985 with article Wiebe: Riel is a legitimate, authentic, mythic hero by Kelly Pitman and 2 audiocassettes with a Riel workshop and a reading by R. Wiebe, filed with Accession 329/83.26 (box 44).

Fonds consists of personal and business correspondence; and manuscripts of and material relating to G. Ryga's poetry, short stories, novels, musical works, essays, addresses, screenplays, and radio, television and stage plays. Two small appendices (MsC 153, 154) consisting of material relating to G. Ryga and acquired from other sources include correspondence and photocopies of an essay by and articles about G. Ryga. Accession 614/97.3 consists of a long-play recording, The Ecstasy of Rita Joe, words by George Ryga, music by Ann Mortifee. (Ann Mortifee, vocalist; Chief Dan George, Ann Mortifee, Peter Haworth, voices; Paul Horn, flute; various musicians.) (Vancouver: Kerygma Records, [1973?]).

Fonds consists of records created or accumulated by Harris during her lifetime and career. Records include business and personal correspondence, manuscripts from her literary output of novels, short stories, poetry, radio plays and non-fiction works, speeches and workshops.

Fonds consists of correspondence with authors, editors, publishers and educators and on various subjects as well as editorial correspondence relating to Biblioasis, Canadian Notes & Queries and Porcupine's Quill; notes and drafts of novels, short stories, prose, essays and memoirs, and documentation relating to anthologies edited by J. Metcalf; notebooks, scrapbooks, photographs and sound recordings including readings and discussions by the Montreal Storyteller Fiction Performance Group; works on J. Metcalf including awards; published works; and works by others.

Accession 895/12.12 highlights Metcalf's work as an editor and mentor of new literary voices. The records cover the period from 2008-2011, including the tumultuous period of 2008-2009 following the publishing of the Jane Urquhart edited Penguin Book of Canadian Short Stories; Metcalf spearheaded a backlash to Urquhart's story choices, efforts that included an issue of Canadian Notes & Queries with the title "Salon des Refusés." This accession includes correspondence with authors, publishers, rare book dealers and artists, samples of author's work and editorial critiques, personal correspondence and photographs. The accession also includes works by Metcalf including drafts of his short story "Ceazar Salad," and the novella "The Museum at the End of the World."

Fonds consists of correspondence; research material; manuscripts, ranging from rough to final drafts, of poems, poetry collections, short stories and novels; scrapbook; promotional material for poetry readings; and published works.
Likely the last accrual (Acc. 2016.024) of 4 boxes of material, with a date range of 1973-2008, was received in 2016. It includes manuscripts, correspondence and research for last novel Exclusion Principle (box 1-2), correspondence relating to novels, Hating Gladys, After Image, Double Negative, and Freeze Frame as well as a poetry collection Collected Poems. There are also notes for an early film script and early radio plays. Also included are some contracts, reviews of her work in newspapers and other publications, interviews and readings she gave for the media including CBC and the National Film Board which are recorded on audio cassette tapes, film (NFB), and VHS. Ms. Gom maintained a separate general correspondence series which she divided in literary and personal correspondence.

Fonds consists of correspondence with editors, publishers, educators, authors and others; contracts; royalty statements; scrapbooks; manuscripts, ranging from rough drafts to galley proofs, of poems, short stories, novels and prose; articles and theses about H. Hood; published work; and works by others.

Fonds consists of correspondence, manuscripts of novels, short stories, addresses to various organizations and conferences, and essays written by M. Jakober as a university student; published poetry and short stories; and other miscellaneous material.

Fonds consists of correspondence; manuscripts of addresses, reviews, television script, novel, essays and articles; scrapbooks; newsclippings; works on H. MacLennan; and miscellaneous material. Three small appendices of material (MsC 28, 29, 30) relating to H. MacLennan and acquired from other sources include correspondence, speech and published items.

Fonds consists of correspondence; manuscripts of articles, columns, essays, speeches, short stories, unpublished novel, The tall trees, novella and books of prose; newsclippings; research materials; published works; works about B. Hutchison; and miscellaneous works by others.

Fonds consist of promotional material and photocopies of business correspondence and reviews, all relating to K. Rekai's children's guides to Toronto and Ottawa: The adventures of Mickey, Taggy, Puppo and Cica and how they discover Toronto; and discover Ottawa. Books published under the name "Kati" and illustrated by Elise Kane.