Affichage de 82 résultats

• Correspondence between representatives of New Press, Toronto, Ont., New Press, Don Mills, Ont., Rene‚ L. Paris, Vancouver, B.C., and George Ryga, Summerland, B.C.
• Correspondence relating to publication of The ecstasy of Rita Joe and other plays; request for letter of recommendation for Canada Council grant; inclusion of excerpts from The ecstasy of Rita Joe and other plays in Canadian settlements - perspectives; inclusion of play Indian in Native peoples in Canadian literature; and submitting stage play Paracelsus for possible publication. Includes bibliographical information.
• Includes references to the following: Grass and wild strawberries; A touch of cruelty; Half-caste; Masks and shadows; Bread route; Departures; Ballad for Bill; The stone angel; Indian; Storm; Bitter grass; For want of something better to do; The tulip garden; Two soldiers; The pear tree; Just an ordinary person; The white transparent; Man alive; The Kamloops incident; A carpenter by trade; Song of my hands; Nothing but a man; The ecstasy of Rita Joe; Captives of the faceless drummer; The bridge; Night desk; Wagoner lad; Poor people; Sawdust temples; Old Sam; Gold in the aspens; Chelkash; Goodbye is for keeps; Trouble in mind; Erosions; Heritage; Moderato cantabile; A feast of thunder; Jingle-jangle children; Hungry hills; Ballad of a stonepicker; My singing bird of summer; Paracelsus; In search of the nightingale; Builder in stone, a builder in wood; Wager on a troubled Monday; The ecstasy of Rita Joe and other plays.

• Correspondence between representatives of Vancouver Playhouse Theatre Company, Vancouver, B.C., and George Ryga, Summerland, B.C.
• Correspondence relating to G. Ryga's commission to write stage play The ecstasy of Rita Joe and its production.

File consists of draft of stage play commissioned by Banff School of Fine Arts for Festival of the Arts 1972.

• Royalty statements from U.A. Records Limited, Willowdale, Ont.
• Royalty statements relating to sales of music album The ecstasy of Rita Joe.

• Correspondence between representatives of Talonbooks, Vancouver, B.C., George Ryga and Keith Ledbury, Ryga & Associates, Summerland, B.C.
• Correspondence relating to public reading and publication of G. Ryga's The ecstasy of Rita Joe; discussing distribution of publications, book promotion, contract negotiations, Dnipro publication of Ukrainian translation of G. Ryga's novel In the shadow of the vulture, media rights to The ecstasy of Rita Joe, and submission of G. Ryga's titles for consideration for possible publication in The Athabasca Ryga.
• Includes references to the following: The ecstasy of Rita Joe; Sunrise on Sarah; A portrait of Angelica; Paracelsus; Beyond the crimson morning; Hungry hills; Ballad of a stonepicker; Night desk; Captives of the faceless drummer; Ploughmen of the glacier; Seven hours to sundown; In the shadow of the vulture; The star; The apartment; A love story; Crash landing; Hospitality people; Dear Yousef; Angel; Rabbit farm; A kind of graffiti; The grey lady of Rupert street; Diary of a foolish man; The private obsessions of Andrew, the waiter; The gray mountains of Cosala; Mist from the mountain; Diary of a small person; Black is the colour; When music was first heard; The third day of summer; Fallen angels; Profiles in dust; Country boy; Valley of the stars; The Athabasca Ryga; A letter to my son; Replies to a questionnaire; Smoke; Notes from a silent boyhood; The ragged conquerors; Voyage of the damned; One October evening; Lepa; Man alive; The jingle jangle children; A white dog on a green lawn; Just an ordinary person; Long morning of a short day; The maze; The pear tree; For want of something better to do; The tulip garden; The grey side of the mountain; A feast of thunder; Masks and shadows; Bread route; Bitter grass; The ballad of John Lepa; The Rocky Mountains; Their names were Mark and Colin; There are no secrets in my court; Star of Manitoulin; Pray for us sinners; Goodbye is for keeps; Point of danger; The high tower; The lake on Blue Mountain; The ninth summer; The place where Jeremiah lives; Jeremiah's place; Half-way to Never Land; Two soldiers; Compressions; Reflections on paradise; The odyssey of Herbie Johnson; Saturday's children; An age of bronze; Visit from the pension lady; Brief to the Federal Cultural Policy Review Committee; Laddie boy; A western viewpoint : the temporary arrangement; The myth and the reality of Canadian theatre; Emotions, ideas and the landscape; Social responsibilities of writers; Speech for peace rally; Letter to the editor; Visions of theatre in the Americas; Rider on a galloping horse; Address to community arts council; Preparing for surgery; Dilemma of playwriting in Canada; Address to curriculum conference on multiculturism; Graduation address; Contemporary theatre and its language; Commentary to first meeting of school goals group; Address for anti-apartheid rally; Proposals for preliminary meeting - Banff theatre school; A question of disparity; Address for peace rally; Canadian theatre : a native view from abroad; Five and four makes nine Bostonians; Journalistic series; A look at the arts; The place of the dramatist in society today; Canadian drama : living art or academic curiosity; Address to Authors Association Conference; East-west politics & cultural influences; Statement to Arts Access; Address to Arts Access Steering Committee; Advocates of danger; Morning at the playground; Salt spring well; On the road; The horns of autumn; Day of the eagle; Lucifer on a DC-9; The ghosts of yesterday; The times we left behind us; The addict; Old Charlie; Men of the mountain; The last journey of Jimmy Bronzy; Seasons of a summer day; Echo from a distant field; One sad song for Henry (Doyle Matkevich); Departures; Twelve ravens for the sun; Pretty world; Mike's song; Tuesday morning; In the house of light - Aztec poems; Melina Mercouri, eating an orange; The lately wind has ceased.

• Correspondence between representatives of Galanty Productions, Toronto, Ont., George Ryga, Summerland, B.C., and Renée L. Paris, Vancouver, B.C.
• Correspondence discussing possible screen play adaptation and production of G. Ryga's A builder in stone, a builder in wood and Captives of the faceless drummer, and relating to Galanty Productions holding of film and television rights to The ecstasy of Rita Joe. Includes contracts.

• Letter from Keith Pepper, Project 10-71, Vancouver, B.C., to Opportunities for Youth, Department of the Secretary of State, Ottawa, Ont.
• Typed letter(s) signed by the author (photocopy) enclosing application and description of project and budget request relating to Project 10-71.

File consists of third draft of novel published by Talon Books in 1976.

File consists of draft of poem.

File consists of Playhouse Holiday's script Ride over them with love which includes excerpts from The ecstasy of Rita Joe. Item 2 is teacher's package. Includes holograph annotation from Ray Michal to Rene‚ L. Paris forwarding script and package. Playhouse Holiday is a school touring company for Playhouse Theatre Company.