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Collection consists of architectural drawings and specifications for the Lancaster Building in Calgary. The Lancaster Building is a notable example of Calgary’s early commercial architecture and one of the city’s first high-rise buildings. It is located at the corner of 2 Street and Stephen Avenue SW. The collection consists of sixteen drawings by James C. Teague (1863-1947) from 1912, ten drawings by William Stanley Bates (1872-1949) from 1919, and an additional six drawings by an unidentified architect likely created in the 1910s. The collection also includes specifications and several brochures and pamphlets related to the construction of the building. The Lancaster Building was built for James Stuart Mackie from 1912 to 1913 under architect James C. Teague, and following WWI, from 1916 to 1919 under architect William S. Bates. The materials in the collection were maintained by James A. N. Mackie, descendant of James Stuart Mackie.

The Cypress Hills report collection is comprised of reports, plans, studies, surveys, photographs, maps and correspondence, accumulated in the Faculty of Environmental Design for teaching and research purposes. The collection also consists of course materials from an EVDS 603 class resulting from work on the collection.

Fonds consists of history of the university from 1916 to 1966 by Sanders and Smith, clippings and photocopies of research material, 1909-1990, Bott's research material, and Smith's slides on the university's origins. Includes recorded interviews with Grant MacEwan (1987); and Mrs. A.L. Doucette, Frank Doucette, Lou Goodwin, W.H. Swift, and Mary Dover (1988). Also includes a scrapbook from Tom Oliver, Faculty of Science.

The collection consists of photographs of local personalities, businesses, farming, schools and events; recordings of Janet Ware and D.D. McQueen (History of Municipal Government)

The collection consists of research notes on the history of Canmore Mines and the coal mine at Anthracite. Also contains various research materials including corporate and government documents, secondary source articles, newspaper/journal clippings, as well as photographs and maps of the Canmore/Anthracite area, ca. 1880s.

Collection consists of scene and costume design for operas, operettas, stage plays, films, revues and ballets, as well as for many unidentified productions. Many designs are undated. Design media include watercolour, gouache, pencil, charcoal and tempera. Designers represented include Percy Anderson (1851-1928), Georges Barbier (1882-1932), Alexandre Benois (1870-1960), Charles Betout (active ca. 1900-1939), Umberto Brunelleschi (1879-1949), Boris Bilinsky (1900-1948), Serge Soudeikine (1882-1946) and C. Wilhelm (1856-1925). Collection also includes Vanity Fair lithographs of actors and managers (ca. 1874-1912) and a series of engraved dramatic portraits.

Collection consists of photographs of geologic formations and topographic features; native peoples; northern communities; logging, mining, fishing and whaling activities; survey field parties; and miscellaneous subjects including some of U.S. Geologic Survey offices and staff. Most photographs were taken in Alaska, but also represented are the Yukon, Virginia, Maryland and Texas. Texas photographs are of oil fields and refineries, ca. 1917. Most photographs are dated and include descriptive captions. Photographs received in albums but removed for conservation purposes.

Fonds consists of "An Act Respecting the University of Calgary", a report of the commission appointed to consider degree-granting powers, annual calendars, a copy of the architectural plan of university, an invitation to closing ceremonies (1913), a newsclipping, and preliminary announcement containing artist's rendering of proposed university layout.

Fonds consists of material relating to Polo, the galloping game: an illustrated history of polo in the Canadian west (Cochrane, AB: Western Heritage Centre Society, 2000), including photocopies of research material from various sources, correspondence, photographs and published journals.