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              31 Descrição arquivística resultados para Composers

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              Howard Cable fonds.
              CA ACU SPC F0058 · Fundos · 1937-2006

              Fonds consists of variety of materials spanning majority of Howard Cable's professional life including: correspondence; financial materials such as budgets, payroll sheets, and account statements; royalty statements and contracts (some with riders); manuscript sketches and scores as well as published scores of works composed, co-authored, or arranged by Howard Cable including those based on Canadian folk music and those used in large-scale productions such as Canadian National Exhibition Grandstand shows and General Motors automobile shows; scripts and playlists for Canadian Broadcasting Corporation radio and television programmes as well as theatrical productions; programmes, promotional material and newsclippings related to productions or performances in which Howard Cable participated; administrative materials (e.g., meeting minutes, proposals, etc.) concerning professional associations or committees with which Howard Cable was involved; academic programmes and other materials related to courses or clinics taught by Howard Cable; some graphical materials such as technical drawings concerning stage schematics for Sea to Sea, Expo 67 and Canada Day shows in particular; photographs primarily relating to major productions with which Howard Cable was involved such as CNE Grandstand show Sea to Sea; and sound recordings of works that Howard Cable either composed or produced. MsC 300 consists of five orchestral parts/arrangements of popular songs by Howard Cable.

              Sem título
              Quenten Doolittle fonds.
              CA ACU SPC F0114 · Fundos · [194-]-2015

              Fonds consists of correspondence; research material; manuscripts of libretti, speeches, articles and notes to accompany music; manuscript scores, ranging from sketches to full scores, of instrumental, operatic and vocal works, as well as incidental music for the theatre; recordings of the complete works of Q. Doolittle on 18 compact disks; promotional and production material; concert and festival programs; workshop and concert series brochures; photographs; newsclippings; and correpondence, promotional and other material relating to various musical and educational organizations with which Q. Doolittle was affiliated. Fonds also includes one small appendix, MsC 281, consisting of scores for Four songs for soprano and viola including vocal score, viola score and transfigurations for viola and piano.

              Sem título
              Eric White fonds.
              CA ACU SPC F0190 · Fundos · 1945-1972

              Fonds consists of correspondence, poetry, newsclippings, advertisements and Poetry Book Society Bulletins.

              Sem título
              Bruce Mather fonds.
              CA ACU SPC F0090 · Fundos · 1949-2017

              Fonds consists of music scores and sketches; correspondence; concert programs, brochures and posters; reviews and articles about Mather; and other material.

              Sem título
              Malcolm Forsyth fonds.
              CA ACU SPC F0182 · Fundos · 1951-2011

              Fonds consists of records related to the professional and personal life of Malcolm Forsyth that reveal the many aspects of his career as music composer and arranger, conductor and music director, educator, and scholar. The fonds is arranged into seven record series: Music Composing series consisting of music sketches and scores composed by Forsyth, and other records related to his compositions (1960-2010); Music Arranging series consisting of music sketches and scores arranged by Forsyth, and related material (1960-2011); Music Business series consisting of records related to the business and administrative aspects of Forsyth’s music career (1957-2010); Other Musical Activities series consisting of sound recordings of Forsyth’s works, sound recordings of interviews with him, records related to his teaching, conducting, and adjudicating activities, and concert programs of his works (1961-2010); Scholarship series consisting of records related to Forsyth’s music education and his academic career (1960-2000); Personal series consisting of biographies, curriculum vitae, photographs, and art sketches (1960-2010); and Correspondence series consisting of professional and personal correspondence (1967-2011).

              Sem título
              Alfred Fisher fonds.
              CA ACU SPC F0117 · Fundos · 1954-2007

              Fonds consists of correspondence; manuscripts of articles, book reviews, essays, lectures and speeches; manuscript scores, ranging from sketches to final drafts, of orchestral, chamber, instrumental, choral and vocal works; teaching material; newsclippings of articles and reviews; concert programs; promotional material; miscellaneous items pertaining to A. Fisher; published work; and sound recordings.

              Sem título
              Ben Steinberg fonds.
              CA ACU SPC F0185 · Fundos · 1954-2018

              Fonds consists of manuscript scores of compositions, adaptations and arrangements by B. Steinberg, correspondence, programs, posters, newspaper clippings, contracts, radio scripts, reviews, published works, material relating to B. Steinberg's activities as composer/scholar-in-residence, lecturer, conductor, etc., and sound recordings.

              Sem título
              Wolfgang Bottenberg fonds.
              CA ACU SPC F0104 · Fundos · 1959 - 2016

              Fonds consists of correspondence; music manuscripts, ranging from pencil sketches to full master (publisher-ready) scores, of choral, vocal, chamber, instrumental, incidental, operatic and ballet music; manuscripts of articles and booklets about music; published work; programs relating to W. Bottenberg's musical career; greeting cards featuring music, designed by W. Bottenberg; and teaching related material.

              Sem título
              Michael Horwood fonds.
              CA ACU SPC F0212 · Fundos · 1965-2017

              Fonds consists of four series: Musical Works (1965-2007); Music Business (1970-2012); Other Music Activities (1966-2012); and Education (1969-2000). The predominant series, Musical Works, represents Horwood's activities as a composer, and includes music sketches, full scores, and final scores. The series also includes photographic slides. The Music Business series consists of professional correspondence and other materials pertaining to the production and promotion of Horwood's musical activities. The Other Music Activities series consists of records related to the performance of his music and music arranging. The Education series consists of educational material from Horwood's time as a student and as an instructor.

              Sem título